Why I Checked It Out: Weeks before its release date, “Red Queen” was advertised as the next big YA fantasy, and considering that is my favorite genre, I eagerly put it on hold and awaited its release. Also, the cover looks awesome.
What It’s About: Mare is Red. She lives in a poverty stricken world, has to steal to help feed her family and has three brothers fighting in a war she’ll soon have to join. Her world is ruled by Silvers, the majestic, rich upper class with silver blood and deadly powers. And, Mare hates them.
The Silvers suppress the Reds, making them fight in their wars, and do all the heavy lifting with nothing to expect in return. When Mare gets a job working in the palace, she can’t say no, she needs the money, but she expects to hate every moment of it. What Mare doesn’t expect is finding out she has power, too, just like the Silvers. When a group of Reds begin to rebel against the Silvers’ way of doing things, Mare realizes if there’s one thing worth fighting for, it’s to free the Reds from Silver rule.
What I Liked About It (And, What I Didn’t): I like Mare’s sassy attitude, but other people might not find her so endearing. Also, while the story idea is cool, I wouldn’t call it unique. “Red Queen” is like a mix and match of other stories, and not in the most creative way. Imagine a story with “X-Men” like powers, the same poor versus rich setup as “The Hunger Games,” and the same royal drama of the TV show “Reign.” I don’t know yet if I feel like the mash-up in “Red Queen” is good or bad. I predict many people will love this book, though, and excitedly read the other two books coming out in the trilogy.
Similar Titles: If you read “Red Queen” and liked it, there are a lot of other amazing titles out there you should try, such as Rae Carson’s “Girl of Fire and Thorns,” Leigh Bardugo’s “Shadow and Bone,” Kristin Cashore’s “Graceling” and Melina Marchetta’s “Finnikin of the Rock.” Each of these is a fantasy adventure with a touch of romance, and are easily among my favorite YA reads.
Originally published at Staff Review: Red Queen by Victoria Aveyard.
Trailer / Website / Reviews
Shown at the True False Film Fest in 2014 and garnering an Oscar nomination for best picture, this film follows a boy named Mason who ages from 6 to 18 years old on screen. The film was shot intermittently over a 12-year period from May 2002 to October 2013, showing the growth of Mason and his older sister, Samantha, to adulthood.
Trailer / Website / Reviews
Shown at the True False Film Fest in 2014, this film by Robert Greene (“Kati with an i“) follows actress Brandy Burre who gave up her career to start a family. When she decides to reclaim her life as an actor, the domestic world she’s carefully created crumbles around her. It’s a film about starring in the movie of your life.
“Nick Cave: 20,000 Days on Earth”
Trailer / Website / Reviews
Shown at the True False Film Fest in 2014, this film follows a fictitious 24 hours in the life of musician and international cultural icon, Nick Cave. With startlingly frank insights and an intimate portrayal of the artistic process, the film examines what makes us who we are and celebrates the transformative power of the creative spirit.
Trailer / Website / Reviews
Shown at the True False Film Fest in 2014, this film by Amir Bar-Lev (“My Kid Could Paint That”) investigates the Penn State child molestation scandal, in which Penn State football coach Jerry Sandusky was accused of several accounts of child sexual abuse and head coach Joe Paterno and university administration were implicated in a coverup.
Trailer / Website / Reviews
Director Guy Maddin’s 2007 “docu-fantasia” is given a special re-release through the Criterion Collection. A work of memory and imagination focusing on the Canadian city of Winnipeg, Maddin’s film burrows into what the filmmaker calls “the heart of the heart” of the continent, conjuring a city populated by sleepwalkers and hockey aficionados.
Other notable releases:
“Hannibal” – Season 1, Season 2 – Website / Reviews
“Boss” – Season 1, Season 2 – Website / Reviews
“Suits” – Season 1 – Website / Reviews
“Babylon 5” – Season 1 – Website
“Musketeers” – Season 1, Season 2 – Website / Reviews
“Witches of East End” – Season 1 – Website / Reviews
“The Sopranos” – Season 1, Season 2, Season 3, Season 4, Season 5 – Website / Review
Local author and professor Steven Watts be giving a talk at the Columbia Public Library this Thursday about his book “Self-Help Messiah.” The book documents the life and times of Dale Carnegie, author of “How to Win Friends and Influence People,” and the dynamic era in which he rose to fame. Here is an interview with the author for a sneak preview of the event.
DBRL: What inspired you to write this book?
SW: Over the last 20 years or so I have been writing biographies of major figures in the shaping of modern American culture, a group that included Walt Disney, Henry Ford and Hugh Hefner. In particular, I have been interested in exploring how a mainstream modern creed of consumerism, personality and self-fulfillment replaced an older Victorian standard of producerism, character and self-control. After completing the Hefner book, I was looking for a new subject when Dale Carnegie rose to the surface. I had taught about him for many years in a couple of my classes at MU, focusing on his popular advice literature in the twentieth century, and his ideas always had formulated vigorous debate, as some students loved him and others hated him. When I looked at the literature, I was surprised to see that no one had written a full-scale biography of this crucial figure in modern American life. So he seemed like a natural choice for my next project.
DBRL: As a library employee, I see “How to Win Friends and Influence People” circulate regularly, which surprises me considering that the book was written almost 80 years ago. Why do you think the book has stayed relevant for so long?
SW: “How to Win Friends,” some historians have suggested, is one of the three or four best-selling non-fiction books in the entire sweep of American history and probably stands in the top dozen or so for books of all kinds. The figures I have seen support that contention. Its enormous popularity is no accident. Carnegie, with his anecdotal style and perky personality, supplied Americans with a compelling and easily digestible handbook on how to succeed in modern society. (What Horatio Alger was to the nineteenth century, Carnegie was to the twentieth.) His advice is brilliantly tailored to meet the demands and expectations of a modern bureaucratic society and a consumer culture, particularly for white-collar workers. Since that basic structure still stands in place in the United States, and indeed seems to be spreading inexorably around the world with globalization, the advice is still relevant. People respond to it viscerally, I think, and sense immediately that its principles can be applied effectively to their daily lives.
DBRL: How pivotal do you think Carnegie was? Do you think he was in the right place at the right time, and that someone else would have filled this cultural role had he not? Was this shift already on the verge of happening? Or do you think our culture would have looked much different today had he not published this book?
SW: This “what if” kind of question is always difficult for a historian to answer because we will never know what might have happened. We can only speculate, and my speculation is this. Famous people, I always tell my students, are usually individuals who stand in the right place at the right time with the right idea. It is partly a matter of context and circumstance and partly a matter of individual perception and talent. Carnegie is just such a figure. American culture was in the midst of large-scale change in the early twentieth century, so, yes, that process would probably have gone on and ended up in roughly the same place without Carnegie. At the same time, however, his efforts played an important role in formulating and systematizing vague notions of personality development, consumer striving and success that were floating around in the cultural atmosphere. He took what was nascent and made it concrete. So Carnegie does strike me as a pivotal figure whose unique talents help define and push forward a broad process of cultural change that has shaped our modern world. While it would have gone on without him, of course, I believe that he played a very important role in giving it the particular caste it has taken on.
DBRL: In her book “Quiet: The Power of Introverts in A World That Can’t Stop Talking,” Susan Cain pinpoints Dale Carnegie as one of the most influential people in America’s shift from a culture that values a person’s character to one that places more value on an individual’s personality. Do you agree with that assessment?
SW: I agree completely. In fact, this shift from “character,” with its stress on internalized moral qualities, to “personality,” with its stress on the projection of attractive images to others, is one of the main arguments in my book. It describes not only the broader shift in American culture that is first glimpsed in the 1890s before building much steam in subsequent decades, but also Carnegie himself, whose paeans to the power of personality are key to his success advice.
DBRL: Have you read any good books lately that you’d like to recommend to our readers?
SW: I do a lot of reading in non-fiction, as you might imagine, particularly in American history but also in ancient Roman history, which has been a kind of intellectual hobby of mine for many years now. In the former area, I would recommend Robert Dallek’s “Camelot’s Court: Inside the Kennedy White House,” an interesting exploration of the key figures who surrounded JFK in the creation of the New Frontier in the early 1960s. In the latter area, I have just finished “The Death of Caesar: The Story of History’s Most Famous Assassination,” by Barry Strauss, which presents a colorful and insightful account of the murder of Julius Caesar and its role in the decline of the Roman Republic and the rise of the Roman Empire.
Don’t miss Steven Watt’s book talk at the Columbia Public Library from 7 – 8:15 p.m on Thursday, May 14. Copies of the book will be available for purchase and signing.
We recently added “The Roosevelts” to the DBRL collection. The seven episode series played on PBS earlier this year, and is the latest from documentary filmmaker Ken Burns who has done other series such as “The Civil War,” “Baseball,” “Jazz,” “The War,” “The National Parks,” and “Prohibition.” Here’s a synopsis from our catalog:
Profiles Theodore, Franklin, and Eleanor Roosevelt, three members of the most prominent and influential family in American politics. It is the first time in a major documentary television series that their individual stories have been interwoven into a single narrative. This seven-part, 14 hour film follows the Roosevelts for more than a century, from Theodore’s birth in 1858 to Eleanor’s death in 1962. Over the course of these years, Theodore would become the 26th President of the United States and his beloved niece, Eleanor, would marry his fifth cousin, Franklin, who became the 32nd President of the United States. Together, these three individuals not only redefined the relationship Americans had with their government and with each other, but also redefined the role of the United States within the wider world. The series encompasses the history the Roosevelts helped to shape: the creation of the National Parks, the digging of the Panama Canal, the passage of innovative New Deal programs, the defeat of Hitler, and the postwar struggles for civil rights at home and human rights abroad. It is also an intimate human story about love, betrayal, family loyalty, personal courage, and the conquest of fear.
An intimate and candid look at the life and art of legendary composer-lyricist Stephen Sondheim, as revealed through the creation and performance of six of his songs, and remembered by the man himself. The six songs featured in the film are: Something’s coming, Opening doors, Send in the clowns, I’m still here, Being alive and Sunday. Art and life are intertwined for Sondheim, and it is a story of both.
We recently added “Tim’s Vermeer” to the DBRL collection. This film played at the True/False Film Festival in 2014, and currently has a rating of 89% from critics at Rotten Tomatoes. Here’s a synopsis from our catalog:
Tim Jenison, a Texas-based inventor, attempts to solve one of the greatest mysteries in all art: How did seventeenth century Dutch Master Johannes Vermeer manage to paint so photo-realistically, 150 years before the invention of photography? Spanning ten years, his adventure takes him to Delft, Holland, where Vermeer painted his masterpieces, to the north coast of Yorkshire to meet artist David Hockney, and even to Buckingham Palace to see a Vermeer masterpiece in the collection of the Queen.
The film “Rich Hill” (91 min.) examines the rural community of the same name that lies seventy miles south of Kansas City, Missouri. This impoverished Midwestern town is the setting for this documentary that examines the turbulent lives of three boys and the fragile family bonds that sustain them. Directed by Tracy Droz Tragos and Andrew Droz Palermo, this film was a selection of the 2014 True/False Film Festival and won the Grand Jury Prize for Best Documentary at the 2014 Sundance Film Festival.
We recently added “Jodorowsky’s Dune” to the DBRL collection. This film played at the True/False Film Festival in 2014, and currently has a rating of 98% from critics at Rotten Tomatoes. Here’s a synopsis from the film website:
This fascinating documentary explores the genesis of one of cinema’s greatest epics that never was: cult filmmaker Alejandro Jodorowsky’s (EL TOPO) adaptation of Frank Herbert’s sci-fi classic Dune, whose cast would have included such icons as Salvador Dali, Orson Welles and Mick Jagger. In 1975, following the runaway success of his art-house freak-outs EL TOPO and HOLY MOUNTAIN, Alejandro Jodorowsky secured the rights to Frank Herbert’s Dune – and began work on what was gearing up to be a cinematic game-changer, a sci-fi epic unlike anything the world had ever seen.
We recently added “Finding Vivian Maier” to the DBRL collection. The film was shown earlier this year at Ragtag Cinema and currently has a rating of 95% from critics at Rotten Tomatoes. Here’s a synopsis from our catalog:
Now considered one of the 20th century’s greatest street photographers, Vivian Maier was a mysterious nanny who secretly took over 100,000 photographs that went unseen during her lifetime. Vivian’s strange and riveting life and art are revealed through never-before-seen photos, films, and interviews with dozens who thought they knew her.
October 31: “Citizen Four” starts at Ragtag. (via)
November 3: “20,000 Days on Earth” 5:00 p.m. & 7:00 p.m. at Forum 8. (via)
November 3: “Girl Rising” 6:00 p.m. at Missouri Theatre. (via)
November 3: “Wonder Women! The Untold Story of American Superheroines” 6:00 p.m. at the MU Student Center. (via)
We recently added “Valentine Road” to the DBRL collection. The film was shown last year on HBO and currently has a rating of 90% from critics at Rotten Tomatoes. Here’s a synopsis from the film website:
In 2008, eighth-grader Brandon McInerney shot classmate Larry King at point blank range. Unraveling this tragedy from point of impact, the film reveals the heartbreaking circumstances that led to the shocking crime as well as the aftermath.
Wednesday, November 12, 2014 • 6:30 p.m.
Columbia Public Library, Friends Room
The documentary “American Revolutionary: The Evolution of Grace Lee Boggs” (82 min.) is the latest from Columbia-native filmmaker Grace Lee (“The Grace Lee Project“). This film focuses on Grace Lee Boggs, a 98 year old Chinese American philosopher, writer, and activist in Detroit with a thick FBI file and a surprising vision of what an American revolution can be. In this film we see how Boggs continually challenges a new generation to throw off old assumptions, think creatively and redefine revolution for our times. The screening is a collaboration with POV, PBS’ award-winning nonfiction film series.
We recently added “12 O’clock Boys” to the DBRL collection. The film played at various film festivals in 2013 and currently has a rating of 91% from critics at Rotten Tomatoes. Here’s a synopsis from our catalog:
A notorious urban dirt bike pack in Baltimore that pops wheelies, weaves at excessive speeds through traffic, and impressively evades the hamstrung police. Their stunning antics are viewed through the eyes of adolescent Pug, a bright kid from the Westside obsessed with the riders and willing to do anything to join their ranks.
We recently added “Generation Like” to the DBRL collection. The film played earlier this year on the PBS series Frontline and is a followup to the 2001 documentary “The Merchants of Cool.” Here’s a synopsis from our catalog:
Explores how the perennial teen quest for identity and connection has migrated to social media, and exposes the game of cat-and-mouse that corporations are playing with these young consumers. Here is a powerful examination of the evolving and complicated relationship between teens and the companies that are increasingly working to target them.