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We’ve compiled a list of previous documentaries available at DBRL from the directors who are presenting films at the upcoming True/False Film Fest. Check out their old films before you attend the fest for their new films!
True/False 2015 film: “Best of Enemies” (Robert Gordon co-director)
Past films as director: “Twenty Feet From Stardom,” “Troubadours,” “Respect Yourself” (Robert Gordon co-director), “Muddy Waters” (Robert Gordon co-director), “Shakespeare Was A Big George Jones Fan” (Robert Gordon co-director), “Iggy and the Stooges”
True/False 2015 film: “Going Clear”
Past films as director: “The Armstrong Lie,” “We Steal Secrets,” “Mea Maxima Culpa,” “Catching Hell,” “Magic Trip,” “Client 9: The Rise and Fall of Eliot Spitzer,” “Freakonomics,” “Casino Jack and the United States of Money,” “Gonzo: The Life and Work of Dr. Hunter S. Thompson,” “Taxi to the Dark Side,” “Enron: The Smartest Guys in the Room”
True False 2015 film: “What Happened, Miss Simone?”
Past films as director: “Love, Marilyn,” “Bobby Fischer Against the World,” “Yo Soy Boricua, Pa’que Tu Lo Sepas!, “The Execution of Wanda Jean”
To see more about the films showing at True False 2015, check out the list of films on the True/False website. Be sure to check out our True/False Film Fest films at DBRL to see lists of past True False films.
Alan Paton’s South African novel is full of lyrical phrasing like that. It’s one of the most beautifully written books I’ve ever read. The action takes place in the late 1940s, amid apartheid practices and attitudes. There’s another sentence in the book I believe could be the title, as far as it describes the story: “All roads lead to Johannesburg.”
When Zulu pastor Stephen Kumalo hears that his sister needs him, he leaves the small village of Ndotsheni for Johannesburg. Since he’s going anyway, he decides to try to find his only son, Absalom, who moved to the city and stopped writing home. Also, Stephen’s brother who went there several years ago. Oh, and one of the pastor’s friends has a relative there. Would he possibly be able to check on her as well? Kumalo finds his family members, one by one, but the reunions are not joyful occasions. People move to Johannesburg because it’s where the jobs are, but it is an overcrowded city full of corruption, vice and crime. Everyone lives in fear.
The wealthy white farmer who lives near the pastor’s village also has a son in Johannesburg, a son who has been working for racial justice, until he is shot dead by burglars who expected to find nobody home. Kumalo remembers him as “a small bright boy.” Paton’s wording is everything when it comes to capturing the emotion of a scene: “…he was silent again, for who is not silent when someone is dead, who was a small bright boy?” An even more tragic turn comes when Absalom Kumalo confesses to the crime, explaining how he fired the shot in panic.
The realities of apartheid are consistently woven into the fabric of the story. When a black man falls, a white man would like to help, but he finds himself at a loss, because “it is not the tradition” that people of different races should touch each other. The white churches are magnificent. The Ndotsheni church has multiple leaks when it rains. The children in the village have no milk.
But this book is not all pathos and tragedy. Though it is full of suffering, it is also full of the overcoming of suffering.* As the two fathers cross paths and attempt to resume their lives, they both draw deep from the well of compassion to create meaning from their losses, to give the world a continuation of whatever positive they saw in the spirits of their respective sons.
If you are familiar with other book reviews I’ve written here, you know that I read mostly YA fiction. But about once every three months I get filled with the overwhelming desire to read adult fiction, usually a new adult fantasy.
A month ago this need came over me, and I started using one of our lovely online databases, NoveList Plus. This database is great if you are trying to find read-alikes to a title, author or series you loved, and it is free to use with your library card. I searched for “The Bone Doll’s Twin” by Lynn Flewelling, the first in a great fantasy trilogy that still stands out when I think about some of my favorite reads.
The first book recommended for me as a read-alike for “The Bone Doll’s Twin” was “The Queen of Tearling” by Erika Johansen. Another great and amazing thing about NoveList is that it tells you a reason WHY the book is recommended as a read-alike, so you aren’t flying blind. NoveList told me that, “Princesses cast off their disguises and return from exile in order to assert their claim to hotly contested thrones in these fantasy novels, which boast sympathetic characters, extensive world-building, and detailed political and magical systems.”
To me, that sounded like a pretty good reason for the recommendation, so I went ahead and put a copy on hold.
At first I found “The Queen of Tearling” slow. It isn’t action packed like the YA I’m used to reading. The pace is a slow, delicate climb, but the writing is so beautifully done, pace didn’t matter to me. I couldn’t put the book down.
A 19-year-old girl must take her role as queen and rule a country that desperately needs her. There’s just one problem. She’s never been told about the issues troubling her country, and every time she believes she’s figured something out, another new issue arises. As assassins try to end her life, she must find a way to stabilize her country and protect it from a threatening empire.
The characters are strongly developed and enchanting. Johansen makes the bad guys sympathetic, even as you hate them, and Kelsea, the main character and queen, is strong, powerful and, thankfully, not a cliché. Johansen makes a point of expressing how plain Kelsea is. She’s not the tall gorgeous princess we are so used to reading about. She is, well, human. The great thing is, she’s still an amazing character, and an amazing woman.
After finishing the book I was curious to see what type of response it had garnered and did some searching. I found out that “The Queen of Tearling” had earned some real hype, including a movie deal with Warner Bros. It seems actress Emma Watson was strongly drawn to the book too. Check out the information here, from the New York Post.
That’s right. Emma Watson of Harry Potter fame thought “The Queen of Tearling” was such a good book she decided to be the executive producer for its movie production and play the main character’s role. I’m excited to see such a well written book get the attention it deserves, and I probably will end up seeing the movie when it comes out, but I am left wondering how Kelsea, a plain and unattractive girl, is going to be played by the gorgeous Emma Watson. I guess I’ll just have to wait and see.
In the meantime, make sure to catch up on this read, and expect at least two more books. Johansen planned on “The Queen of Tearling” being the first of a trilogy.
The post Book Review: The Queen of Tearling by Erika Johansen appeared first on DBRL Next.
On Feb 2, 2015, in the small northern Pennsylvania town of Punxsutawney, Phil the groundhog popped out of his hole to check his shadow. According to legend, spring may be less than six weeks away, depending on whether the sun is shining. Six weeks from February 2 brings us to the middle of March, which, in Missouri, is a time that often seems to be still stuck in winter. But there is an inherent hopefulness in this odd holiday that extends beyond the shadows and sunshine of the first season of the year.
A couple of weeks ago, browsing the library’s collection, I came across the self-help book “The Magic of Groundhog Day: Transform Your Life Day by Day” by Paul Hannam, and it made me think a bit further on the topic. Focusing on the 1993 movie “Groundhog Day” starring Bill Murray, Hannan states that the term “Groundhog Day” has entered the modern lexicon as a place or state of mind that represents repetition and drudgery. Finding meaning despite the humdrum is what is important (as Bill Murray did near the end of the movie). Hannan writes that mindfulness is the key: “Where you choose to consciously place your attention ultimately determines how happy you are.” He also noted: “You can change your personal reality but you cannot change reality itself, like the past or how other people think and act.”
As useful as mindfulness techniques are for many of us in dealing with the tedious components of daily life, sometimes we need to shake ourselves out of the physical reality of our existence and venture far beyond our comfort zone to find renewal. Jennifer Kingsley does this in her fine new book “Paddlenorth: Adventure, Resilience, and Renewal in the Arctic Wild.” Of the arctic, Kingsley writes “if you measure yourself against the Earth–to test perspective on life and distance–there is nowhere better. Our planet is about 10 percent tundra, but relatively few of us will ever set foot on it.” As Kingsley traveled up the Back River in the Northwest Territories with her six companions (she made the journey in 2005), a transformation occurred: “most of the people closest to me would never see me in the places I love most. When those letters arrived on the Back River, I felt both loved and forgotten. Both feelings gave me freedom. The letters snipped another thread between me and them, here and home.”
What does it mean when your familiar completely disappears? In his memoir “My Orleans, Gone Away: A Memoir of Loss and Renewal,” Peter Wolf sketches out a life mainly spent fleeing the confines of a privileged and stuffy upbringing as a Jewish boy in New Orleans, to life at Exeter and Yale and the far flung reaches of the academy. Flanked by harrowing accounts of the destruction wrought by Hurricane Katrina, the book is filled with a longing for a childhood in a city that has long since vanished. The memoir was written partly to fill in the blanks for all that was lost during the hurricane. Wolf put it this way: “I decided that in my own way I will try to preserve what I can, and understand what I have not, by writing this memoir.”
On a final note, it is worth mentioning that contemporary ruminations about Groundhog Day and renewal are rooted in ancient European traditions. Societies lived and died depending on the weather during the Middle Ages and weather prognostication was part ritual, part art. See Don Yoder’s book “Groundhog Day” for history and trivia regarding this holiday and its ancient meanings. In the end of his book, Yoder writes, “Our ancestors were geared into the universe and linked with the natural environment in ways that we today have either completely forgotten or no longer fully accept.”
However you find meaning in this little holiday in the depths of a sometimes cruel month, remember that warm sunshine and the springing of new life are just around the corner.
Every January the American Library Association hosts its annual Youth Media Awards Press Conference. At this time, authors and illustrators of children’s and young adult literature are recognized for the amazing works they have published over the last year
Have you read any of this year’s award-winners? What did you think? Who might you have picked for this year’s top awards?
Alex Award Winners are the 10 best adult books that appeal to teen audiences.
- “All the Light We Cannot See” by Anthony Doerr
- “Bellweather Rhapsody” by Kate Racculia
- “Bingo’s Run” by James A. Levine
- “Confessions” by Kanae Minato, translated by Stephen Snyder
- “Everything I Never Told You” by Celeste Ng
- “Lock In” by John Scalzi
- “The Martian” by Andy Weir
- “The Terrorist’s Son: A Story of Choice” by Zak Ebrahim with Jeff Giles
- “Those Who Wish Me Dead” by Michael Koryta
- “Wolf in White Van” by John Darnielle
Coretta Scott King (Author) Book Award recognizes an African American author and illustrator of outstanding books for children and young adults:
- Award Winner: “Brown Girl Dreaming” by Jacqueline Woodson
- Honor Book: “The Crossover” by Kwame Alexander
- Honor Book: “How I Discovered Poetry” by Marilyn Nelson and illustrated by Hadley Hooper
- Honor Book: “How It Went Down” by Kekla Magoon
Michael L. Printz Award for excellence in literature written for young adults.
- Award Winner: “I’ll Give You the Sun” by Jandy Nelson
- Honor Book: “And We Stay” by Jenny Hubbard
- Honor Book: “The Carnival at Bray” by Jessie Ann Foley
- Honor Book: “Grasshopper Jungle” by Andrew Smith
- Honor Book: “This One Summer” written by Mariko Tamaki, illustrated by Jillian Tamaki
Odyssey Award for best audiobook produced for children and/or young adult.
- Award Winner: “H. O. R. S. E.: A Game of Basketball and Imagination” by Christopher Myers and narrated by Dion Graham and Christopher Myers
- Honor Book: “Five, Six, Seven, Nate!” written and narrated by Tim Federle
- Honor Book: “The Scandalous Sisterhood of Prickwillow Place” by Julie Berry, and narrated by Jayne Entwistle
- Honor Book: “A Snicker of Magic” by Natalie Lloyd and narrated by Cassandra Morris
Pura Belpré (Author) Award honors a Latino writer whose children’s books best portray, affirm and celebrate the Latino cultural experience:
- Award Winner: “I Lived on Butterfly Hill” by Marjorie Agosín, illustrated by Lee White
- Honor Book: “Portraits of Hispanic American Heroes” written by Juan Felipe Herrera, illustrated by Raúl Colón
Schneider Family Book Award for books that embody an artistic expression of the disability experience.
- Middle School Award Winner: “Rain Reign” by Ann M. Martin
- High School Award Winner: “Girls Like Us” by Gail Giles
Stonewall Children’s and Young Adult Literature Award is given annually to children’s and young adult books of exceptional merit relating to the gay, lesbian, bisexual, and transgendered experience.
- Award Winner: “This Day in June” by Gayle E. Pitman, Ph.D., illustrated by Kristyna Litten
- Honor Book: “Beyond Magenta: Transgender Teens Speak Out” by Susan Kuklin, photographed by Susan Kuklin
- Honor Book: “I’ll Give You the Sun” by Jandy Nelson
- Honor Book: “Morris Micklewhite and the Tangerine Dress” by Christine Baldacchino, pictures by Isabelle Malenfant
William C. Morris Award for a debut book published by a first-time author writing for teens.
- Award Winner: “Gabi, a Girl in Pieces” by Isabel Quintero
- Finalist: “The Carnival at Bray” by Jessie Ann Foley
- Finalist: “The Story of Owen: Dragon Slayer of Trondheim” by E.K. Johnston
- Finalist: “The Scar Boys” by Len Vlahos
- Finalist: “The Strange and Beautiful Sorrows of Ava Lavender” by Leslye Walton
YALSA Award for Excellence in Nonfiction for Young Adults honors the best nonfiction book published for young adults.
- Award Winner: “Popular: Vintage Wisdom for a Modern Geek” by Maya Van Wagenen
- Finalist: “Laughing at My Nightmare” by Shane Burcaw
- Finalist: “The Family Romanov: Murder, Rebellion & the Fall of Imperial Russia” by Candace Fleming
- Finalist: “Ida M. Tarbell: The Woman Who Challenged Big Business—and Won!” by Emily Arnold McCully
- Finalist: “The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights” by Steve Sheinkin
Originally published at 2015 ALA Teen Book Award Winners Announced.
Post-apocalyptic fiction is as popular and ubiquitous as this simile is confusing and ineffective. For some it is a gloomy respite from the constant barrage of good news, utopian grocers and complementary snacks. For others it is a chilling vision of events horrifyingly near at hand. For others still it is a genre of stories that they read for pleasure.
Unlike the supplies in these stories, there is a massive selection of such books to peruse. Readers know that one of the following, in order of likelihood, will be what brings civilization to its knees: zombies, super flu, war, aliens, weather or vampires. We know roughly how things will play out and that the most important people left will be attractive and/or magical. We know it will be nearly as excruciating to experience as it is fun to read about. But what we don’t know, and what has long been one of my chief concerns about life in a hellscape, is whether or not there will be traveling bands of actors and musicians, and if there are, whether or not they will eventually run into trouble. Emily St. John Mandel’s gnarly novel, “Station Eleven,” answers my questions while being really fun to read.
One of this novel’s nifty tricks is to jump around in time and among characters. It opens, just prior to the “Georgian Flu” outbreak it uses to decimate the population, with one of its main characters dying on stage, and then proceeds forward and backward in time to check on characters connected to the dead thespian. One connected character is the child actress that helped provide a twist to his production of “King Lear,” and twenty years later was one of the world’s foremost traveling actors. Another is a paparazzo that hounded the actor until switching careers to be a paramedic and attending the actor’s fateful play. Another, the dead actor’s agent, starts a “Museum of Civilization” (its most popular exhibits include stilettos and cell phones) in an airport where several people take refuge after the outbreak. (The airport is home to one of the novel’s best and most distressing images: a plane, landed safely on the runway but with its doors sealed to forever contain infected passengers.)
This novel quickly introduces a plethora of questions (like why is the nefarious prophet’s dog’s name taken from an extremely limited edition comic that happens to be another character’s most prized possession?), and as the answers start to come the book becomes extra-impossible to put down. “Station Eleven” bounces between post-apocalyptic suspense and pre-apocalyptic drama, but its characters and language are always well-crafted and immersive. It is doubtful the looming Armageddon will be anywhere near as enjoyable.
We got married on Valentine’s Day. My husband thought that it was romantic. (Well, he also figured that it would help him remember our future anniversaries.) I thought it was cute and also special, since there was no Valentine’s in my home country, Russia. Yet whatever our ideas about the joys and responsibilities of marriage were, our Valentine’s wedding turned out to be a true commitment.
I’m not talking about the everyday challenges of married life: suppressing your true feelings about endless football, basketball and what-ever-ball games, picking up things lying around the house (like his size-large gloves on our dining table), suffering through Chinese meals he loves so much and patiently repeating questions that he cannot hear because he’s watching some bloody thriller on TV. You expect these things after you say, “I do.” I’m talking about difficulties that are outside our control, like every year we want to celebrate our anniversary, we have to compete with a whole slew of people who go out on Valentine’s Day just for fun.
It took us a few years to realize what we had gotten ourselves into, since on our first anniversary we (meaning me) had to plan a long time in advance anyway. That year, Valentine’s happened to fall on Friday, so we drove to St. Louis (a two-hour drive) for an “Evening of Romantic Music,” performed by the St. Louis Symphony. Since we had to buy tickets a couple months earlier, it seemed only logical to reserve a hotel room and a dinner to go with it well in advance, too.
Everything worked like a charm that time. The orchestra was good, the music was beautiful and romantic (with the exception of Camille Saint-Saëns’ Samson and Delilah, which I personally find erotic and not good PR for women ). And after the concert, every woman was given a piece of chocolate and a rose.
For our second anniversary we drove to Kansas City (also a two-hour drive) to see the Russian opera “Eugene Onegin.” That also had to be carefully arranged, since the opera seemed to have attracted every Russian living in a 100-mile-radius of Kansas City. (There were a few Americans there, too — probably spouses or companions of the Russians .)
Later, things began getting harder. For our third anniversary, I planned another out-of-town outing, which included visiting an art museum and other stuff like that. Yet the weather turned bad, and although the temperature was 35 degrees Fahrenheit, the roads were covered with sleet. (How rain can turn into ice when the temperature is above freezing is beyond me!) So, instead of enjoying the experience, all I could think about was whether we’d get home alive.
After that, I decided that February is not a good month for traveling, and we should celebrate our anniversary locally. There were other reasons for that, too. For one thing, Valentine’s Day rarely takes place on weekends, and unless you don’t have to work or you’re retired (which my husband now is, but I am not), next day you have to go to work. For another, sleeping in a strange bed has much less attraction for me now.
The thing is, I am a creature of habit. I eat the same cereal every day. I sleep on the same side of the bed. And when we go to the movies, I like to have my husband to the left of me, so I can lean on his shoulder if I feel sleepy, and when we attend concerts, he has to be on my right, so I can squeeze his hand with my right hand when I get excited.
I like going to the same restaurants, too, and I usually order the same dishes in each one of them. Yet, as soon as I get used to a particular restaurant, it closes down. If that is because I always order the same meal or because we don’t eat out often enough — or both — I cannot tell. All I know is that it’s getting harder and harder to make reservations at those few I like.
Some of them don’t even take reservations for two people. (How do they expect couples to celebrate Valentine’s? To my knowledge, communal living, which was so popular in the 1960s and 1970s, is long gone!) Some restaurants don’t take reservation for holidays, and some seem to be full even if you call them just after New Year’s! They first say that it is too early, but when you call them close to Valentine’s, it’s already to late . Of course, it’s all relative. A friend of ours, who once found himself stuck in Tokyo, feeling lonely, decided to go to a nice restaurant. Yet they wouldn’t serve him at all! The reason being that he went there alone.
Another thing about celebrating an anniversary on Valentine’s Day is that there is too much chocolate around, which is a terrible temptation for chocoholics like me . Once, during our Valentine’s dinner, I ate a whole flowerless chocolate cake (my husband doesn’t like chocolate)! It tasted great while I was eating it, but, for the rest of that day, I didn’t feel so good. Since then, I’ve ordered chocolate-covered strawberries, so I eat less chocolate and more vitamins.
And what about flowers? You’ve got to have roses for Valentine’s, right? Yet again, roses triple in price on that day, and I don’t even like them that well. One year, I told my husband that I like orchids much better (we had no orchids in Moscow, so they seem special to me, too). The problem with that is that I have a green thumb, and as soon as orchids appear in our house, they just stay there. And since my husband buys new orchids every year, recently, I looked around and realized that our house resembled a jungle, and I was spending all my free time watering orchids!
Well, once again, our anniversary is coming around, marking the eighteen years we have spent together. To tell the truth, despite all my complaints, I still like the fact that we got married on Valentine’s. I like talking about it and, more importantly, I still love my husband. And although the passion that brought us together all those years ago may not be as burning as it once was, there is no tragedy in that. For what really counts in people’s lives is mutual trust and respect, and also that hand you can squeeze in the moment of excitement and that shoulder on which you can lean in a moment of weariness or distress and feel valued and protected by the person by your side. And that is as good as it gets.
Happy Valentine’s to you all!
Creating documentaries can take a lot of time, but it can be even harder when you don’t shoot the footage yourself. Check out these documentaries that use old footage to tell a story from the past.
“The Black Power Mixtape 1967-1975” (2011)
Footage shot by a group of Swedish journalists documenting the Black Power Movement in the United States is edited together by a contemporary Swedish filmmaker. Includes footage of Stokely Carmichael, Bobby Seale, Angela Davis and Eldridge Cleaver.
“How to Survive a Plague” (2012)
The story of two coalitions whose activism and innovation turned AIDS from a death sentence into a manageable condition. The activists bucked oppression, helping to identify promising new medication and treatments and move them through trials and into drugstores in record time.
“Let the Fire Burn” (2013)
A found-footage film that unfurls with the tension of a great thriller. In 1985, a longtime feud between the city of Philadelphia and controversial Black Power group MOVE came to a deadly climax. TV cameras captured the conflagration that quickly escalated, resulting in the tragic deaths of 11 people.
The post Images of the Past: Docs Featuring Archival Footage appeared first on DBRL Next.
We recently added “The Roosevelts” to the DBRL collection. The seven episode series played on PBS earlier this year, and is the latest from documentary filmmaker Ken Burns who has done other series such as “The Civil War,” “Baseball,” “Jazz,” “The War,” “The National Parks,” and “Prohibition.” Here’s a synopsis from our catalog:
Profiles Theodore, Franklin, and Eleanor Roosevelt, three members of the most prominent and influential family in American politics. It is the first time in a major documentary television series that their individual stories have been interwoven into a single narrative. This seven-part, 14 hour film follows the Roosevelts for more than a century, from Theodore’s birth in 1858 to Eleanor’s death in 1962. Over the course of these years, Theodore would become the 26th President of the United States and his beloved niece, Eleanor, would marry his fifth cousin, Franklin, who became the 32nd President of the United States. Together, these three individuals not only redefined the relationship Americans had with their government and with each other, but also redefined the role of the United States within the wider world. The series encompasses the history the Roosevelts helped to shape: the creation of the National Parks, the digging of the Panama Canal, the passage of innovative New Deal programs, the defeat of Hitler, and the postwar struggles for civil rights at home and human rights abroad. It is also an intimate human story about love, betrayal, family loyalty, personal courage, and the conquest of fear.
An intimate and candid look at the life and art of legendary composer-lyricist Stephen Sondheim, as revealed through the creation and performance of six of his songs, and remembered by the man himself. The six songs featured in the film are: Something’s coming, Opening doors, Send in the clowns, I’m still here, Being alive and Sunday. Art and life are intertwined for Sondheim, and it is a story of both.
We recently added “Tim’s Vermeer” to the DBRL collection. This film played at the True/False Film Festival in 2014, and currently has a rating of 89% from critics at Rotten Tomatoes. Here’s a synopsis from our catalog:
Tim Jenison, a Texas-based inventor, attempts to solve one of the greatest mysteries in all art: How did seventeenth century Dutch Master Johannes Vermeer manage to paint so photo-realistically, 150 years before the invention of photography? Spanning ten years, his adventure takes him to Delft, Holland, where Vermeer painted his masterpieces, to the north coast of Yorkshire to meet artist David Hockney, and even to Buckingham Palace to see a Vermeer masterpiece in the collection of the Queen.
The film “Rich Hill” (91 min.) examines the rural community of the same name that lies seventy miles south of Kansas City, Missouri. This impoverished Midwestern town is the setting for this documentary that examines the turbulent lives of three boys and the fragile family bonds that sustain them. Directed by Tracy Droz Tragos and Andrew Droz Palermo, this film was a selection of the 2014 True/False Film Festival and won the Grand Jury Prize for Best Documentary at the 2014 Sundance Film Festival.
We recently added “Jodorowsky’s Dune” to the DBRL collection. This film played at the True/False Film Festival in 2014, and currently has a rating of 98% from critics at Rotten Tomatoes. Here’s a synopsis from the film website:
This fascinating documentary explores the genesis of one of cinema’s greatest epics that never was: cult filmmaker Alejandro Jodorowsky’s (EL TOPO) adaptation of Frank Herbert’s sci-fi classic Dune, whose cast would have included such icons as Salvador Dali, Orson Welles and Mick Jagger. In 1975, following the runaway success of his art-house freak-outs EL TOPO and HOLY MOUNTAIN, Alejandro Jodorowsky secured the rights to Frank Herbert’s Dune – and began work on what was gearing up to be a cinematic game-changer, a sci-fi epic unlike anything the world had ever seen.
We recently added “Finding Vivian Maier” to the DBRL collection. The film was shown earlier this year at Ragtag Cinema and currently has a rating of 95% from critics at Rotten Tomatoes. Here’s a synopsis from our catalog:
Now considered one of the 20th century’s greatest street photographers, Vivian Maier was a mysterious nanny who secretly took over 100,000 photographs that went unseen during her lifetime. Vivian’s strange and riveting life and art are revealed through never-before-seen photos, films, and interviews with dozens who thought they knew her.
October 31: “Citizen Four” starts at Ragtag. (via)
November 3: “20,000 Days on Earth” 5:00 p.m. & 7:00 p.m. at Forum 8. (via)
November 3: “Girl Rising” 6:00 p.m. at Missouri Theatre. (via)
November 3: “Wonder Women! The Untold Story of American Superheroines” 6:00 p.m. at the MU Student Center. (via)
We recently added “Valentine Road” to the DBRL collection. The film was shown last year on HBO and currently has a rating of 90% from critics at Rotten Tomatoes. Here’s a synopsis from the film website:
In 2008, eighth-grader Brandon McInerney shot classmate Larry King at point blank range. Unraveling this tragedy from point of impact, the film reveals the heartbreaking circumstances that led to the shocking crime as well as the aftermath.