September is upon us! Time to get serious and hit the books. This month’s list of recommended titles from LibraryReads leaves behind the lighter fare of summer and includes some heavy-hitting literary fiction, as well as a book that stares death in the face. Here are the top 10 books being published in September that librarians love.
“Smoke Gets in Your Eyes: And Other Lessons from the Crematory“
by Caitlin Doughty
“Part memoir, part exposé of the death industry, and part instruction manual for aspiring morticians. First-time author Doughty has written an attention-grabbing book that is sure to start some provocative discussions. Fans of Mary Roach’s ‘Stiff’ and anyone who enjoys an honest, well-written autobiography will appreciate this quirky story.”
– Patty Falconer, Hampstead Public Library, Hampstead, NH
by Emily St. John Mandel
“An actor playing King Lear dies onstage just before a cataclysmic event changes the future of everyone on Earth. What will be valued and what will be discarded? Will art have a place in a world that has lost so much? What will make life worth living? These are just some of the issues explored in this beautifully written dystopian novel. Recommended for fans of David Mitchell, John Scalzi and Kate Atkinson.”
– Janet Lockhart, Wake County Public Libraries, Cary, NC
“The Secret Place“
by Tana French
“French has broken my heart yet again with her fifth novel, which examines the ways in which teenagers and adults can be wily, calculating and backstabbing, even with their friends. The tension-filled flashback narratives, relating to a murder investigation in suburban Dublin, will keep you turning pages late into the night.”
– Alison McCarty, Nassau County Public Library System, Callahan, FL
And here is the rest of the list with links to our catalog so you can place holds on these on-order titles.
- “Rooms” by Lauren Oliver
- “The Children Act” by Ian McEwan
- “The Distance” by Helen Giltrow
- “Horrorstor” by Grady Hendrix
- “The Paying Guests” by Sarah Waters
- “The Witch with No Name” by Kim Harrison
- “Season of Storms” by Susanna Kearsley
The post Top Ten Books Librarians Love: The September 2014 List appeared first on DBRL Next.
Genetic modification is a hot topic, and not just because of the literal heat harbored by pumpkins inexplicably modified to cast horrifying, fiery glares our way every October. There are pluses, like massive potatoes capable of feeding dozens, talking to you when you’re lonely and even playing a competent game of checkers. Perhaps you give birth to Siamese twins with a gift for playing piano. There are minuses though, besides hateful pumpkins and repeatedly losing to a potato at checkers. Maybe you birth a child with flippers for limbs and a predilection for starting popular cults that mandate the removal of one’s own appendages. Also, as gene tampering becomes rampant, people will grow weary of picking their future children’s hair colors and which professional sport they will play. Parents will long for the days when, if you didn’t like your child’s hair, you simply shaved them bald, and if you wanted them to excel at sport, you were forced to mercilessly prod them until their vertical leaps were satisfactory.
While the profile of genetic shenanigans grows with every neon-blue tomato on our plates and Robocop on our streets, people have been obsessed with genes since the first bald man looked scornfully at his father’s bountiful locks. And 25 years ago, Katherine Dunn tapped into this obsession and combined it with another topic constantly on the minds of modern humans (travelling freak shows) into one gloriously deformed firecracker of a novel.
“Geek Love” is narrated by Olympia, a hunchback albino dwarf, member of her parents’ lucrative freak show and product of her parents’ crude attempts to modify DNA for profit. Her parents, Aloysius and Crystal Lil, used drugs, insecticides and radioactive stuff to conjure strange fruit from the womb. Oly’s older brother, Arturo, is the aforementioned flipper-limbed, cult leader. Electra and Iphigenia are the Siamese piano dynamos. Fortunato is the youngest, a seemingly normal child nearly abandoned for his uselessness until his telekinetic powers manifested themselves.
The novel jumps between two eras. One covers Oly’s childhood with the carnival and the familial strife, much of it conjured by Arty and his cult of Arturism. The other era features Oly taking care of a mother who doesn’t know who she is, perhaps in part because of the radiation and insecticides, and stalking a daughter who doesn’t know who she is because Oly gave her to some nuns when she was a baby. The twin narratives race along like the most awesome and lengthy roller coaster ever, and you’ll leave the tracks dazed, queasy, having lost your sunglasses and ready to get in line for the next Katherine Dunn novel, which doesn’t yet exist as the author spends much of her time using her boxing knowledge to fend off muggers.
The reader should be warned, in addition to the reckless gene doctoring, there is content not for the faint-hearted: telekinetic pickpocketing, attempted murder, a human with a tail, murder, unnecessary amputations and, depending on how you define it, incest. But if you like words and watching someone bite the head off of a live chicken, this may be your new favorite novel.
“True Grit,” by Charles Portis, is a book that defies genrefication. It’s an American adventure semi-western coming-of-age dramatic comedic fictional memoir. The narrator is Arkansas resident Mattie Ross, speaking as an older woman, recalling the time in the 1870s when she was 14 years old and set out to capture her father’s killer, a man named Tom Chaney.
Much of the entertainment value, the thing that keeps me re-reading certain passages, stems from Mattie’s voice, which Portis has crafted perfectly. Mattie holds firm convictions about how things should be. Her love language is legal representation. She freely offers the assistance of her family attorney to those she respects. Her liberties with the lawyer’s services extend to forging his signature on her own letter of identification. Early on she says “If you want anything done right you will have to see to it yourself every time.” This philosophy compels her to carry her father’s war pistol and accompany Marshall Reuben (Rooster) Cogburn, the man she has hired to track Chaney, on his manhunt in Choctaw territory, where Chaney has fallen in with a group of outlaws.
Rooster Cogburn is described by another character in these words: “a pitiless man, double-tough, and fear don’t enter into his thinking. He loves to pull a cork.” But later events show he is not entirely without pity, especially when it comes to Mattie. And she is not entirely inflexible, making allowances for Rooster’s cursing, drinking and the fact that he himself once fled parole in Kansas. Unlike Mattie, Rooster thinks more in terms of how things are than how they ought to be. His catch phrase is “That is the way of it.” Despite their differences, Rooster and Mattie often bring out the best in each other.
But there is a third member of the party who can rile both of them, a dandy of a Texas Ranger named LaBoeuf (pronounced “LaBeef”). Chaney is also wanted in Texas for killing a senator, and there is a substantial reward involved. LaBoeuf has been after the killer for some time, but it’s unclear whether the ranger is motivated more by money or pride. His magnificent spurs – a symbol of his self-image – are mentioned multiple times.
As the trio closes in on the gang of ne’er-do-wells, the action becomes ever more thrilling. Each one of the three protagonists is required to dig deep into their reserves of courage, loyalty and, of course, grit. As in all good fiction, nothing comes without sacrifice. Mattie, especially, pays a large price for what she’s gained.
If you’ve been meaning to get around to reading “True Grit,” take heed of the older Mattie’s words: “Time just gets away from us.” Buckle down and get to it.