Next Book Buzz
Sports are big business. The athletes are treated as commodities, and they are salesmen. They aren’t just coached on how to play their sport, but also on how to speak to the press. (It’s in cliches and non-answer answers. Really riveting stuff.) Sometimes it seems the true measure of an athlete’s accomplishments isn’t how many rings they win but the number of sponsorships they get.
Beneath this veneer of brand-spokesman blandness, corporate PR and the talking hairdos on 24-hour sports networks, something weird is still going on. The rules are arbitrary, the feats of physical accomplishments are freakish, and this slick business culture is built on a simple obsession over games. Yes, the fans can get obsessive, but the athletes themselves? They need an intervention. Ridiculous salaries for a few can make us forget how many people there are still playing their sport for very little. How many players in the Minor Leagues are sharing small apartments with teammates compared to Major League players with shoe contracts? Or Olympic athletes training early in the morning before work? It gets under their skin, and they have to play the game. Weird.
“The League of Outsider Baseball” captures some of that obsessive weirdness. Author and Illustrator Gary Cieradkowski has put together a collection of beautifully illustrated profiles of baseball players. Some are household names, like Babe Ruth, but most are lesser known or forgotten players, like the ones you meet in the chapter, “The Could-Have-Beens.” Some of these players could have been household names too, but dumb luck or bad life choices derailed their promising careers. Take Pistol Pete Reiser, whose combination of physical skill and unbridled enthusiasm for the game gave him a penchant for playing through serious injuries and running into outfield walls. Once he was knocked unconscious so long a priest performed last rights. The chapter, “The Oddballs” is populated with unlikely contributions to baseball history from a one-armed pitcher, a hunchbacked orphan, one team composed entirely of brothers and another from an apocalyptic sect. This is the scruffy underbelly of baseball, and it’s fascinating reading.
This project started for Cieradkowski as a way of coping with the loss of his father. Swapping stories of obscure baseball players several times a week was one way they stayed connected. When his father died unexpectedly, Cieradkowski realized he didn’t have anyone to share this obsession with. He started a blog, The Infinite Baseball Card Set, to honor that relationship with his father and share his passion for these forgotten players with the rest of the world. Reading “The League of Outsider Baseball” is akin to a friend sharing their prized collection of baseball cards with you.
A few more books that give you a tour of baseball’s scruffy underbelly (The titles say it all):
“Outsider Baseball. The Weird World of Hardball on the Fringe, 1876-1950,” by, Scott Simkus.
The August LibraryReads list – the top 10 titles publishing next month that librarians across the country recommend – includes plenty of novels for summer’s last hurrah. (And for you true bibliophiles out there, columnist Michael Dirda delivers “Browsings,” a charming collection of essays about reading, genre fiction, book stores, famous pets in fiction and even library book sales!)
“Best Boy” by Eli Gottlieb
“What happens when someone on the autism spectrum grows up, and they aren’t a cute little boy anymore? Gottlieb’s novel follows the story of Todd Aaron, a man in his fifties who has spent most of his life a resident of the Payton Living Center. Todd begins to wonder what lies beyond the gates of his institution. A funny and deeply affecting work.” – Elizabeth Olesh, Baldwin Public Library, Baldwin, NY
“The Nature of the Beast: A Chief Inspector Gamache Novel” by Louise Penny
“Louise Penny set the bar high with her last two books, but she had no trouble clearing it with this one. All our old friends are back in Three Pines where a young boy with a compulsion to tell tall tales tells one true story with disastrous results. But which story is the truth and why is it so threatening? Exquisitely suspenseful, emotionally wrenching and thoroughly satisfying.” – Beth Mills, New Rochelle Public Library, New Rochelle, NY
“A Window Opens” by Elisabeth Egan
“Alice Pearce has a pretty great life. She has a loving family and works part-time as an editor for a magazine. When her family’s financial situation takes a drastic turn, Alice finds that she needs to step up to the plate and contribute more, and she finds this comes at a cost. I think many women will see themselves in Alice’s character. I recommend this book to moms who need a little time to themselves; they might realize that maybe things aren’t so bad for them after all.” – Rosanna Johnson, Chandler Public Library, Chandler, AZ
And here is the rest of the list for your holds-placing pleasure! Be one of the first people in line for these anticipated titles.
- “The Marriage of Opposites” by Alice Hoffman
- “Everybody Rise” by Stephanie Clifford
- “The Fall of Princes” by Robert Goolrick
- “In a Dark, Dark Wood” by Ruth Ware
- “Black Eyed Susans” by Julia Heaberlin
- “Lord of the Wings: A Meg Langslow Mystery” by Donna Andrews
- “Browsings: A Year of Reading, Collecting, and Living with Books” by Michael Dirda
The post Top Ten Books Librarians Love: The August 2015 List appeared first on DBRL Next.
Do you like to read weird things? I suspect anyone who has read more than one of this gentleman’s posts probably does. Granted, I write in the conventional, easily parsed and comforting voice of a modern nobleman, but I often recommend novels wherein there is at least a modicum of the weird: perhaps there is a murderous tortilla chip or a ghost delivering a message to the wrong twin or a carnival full of haphazardly genetically modified human attractions. But this time I’m going to get real weird with it: I hereby recommend Southern Reach, the gripping trilogy by Jeff VanderMeer.
Is it weirder than murderous snacks? Yes. After all, I sometimes feel, particularly after a sixth sack of candied bacon, that my snacks have it in for me. But I’ve never been on a classified expedition into a mysterious wilderness surrounded by a force-field that obliterates anything that touches it unless it enters through one particular (and invisible) entrance. Once there I’ve never encountered a “tower” that extends underground rather than above it, its walls harboring a massively creepy, moderately comprehensible never-ending sentence etched in otherworldly fungus. Nor have I taken a closer look at that fungus only to inhale a spore which imparts a “glowing” feeling and increasingly takes hold of my mind and body. Likewise, I did not later discover the harrowing extent of the hypnotic cues imparted on me before I began my journey. Never have I discovered that a previous expedition had ended in a bloodbath caused by its highly trained members turning on each other. Not once have I ventured to a lighthouse to find evidence of carnage and a tremendous cache journals whose content is more disturbing even than the fact that there are significantly more of them than the official count of expeditions into “Area X” would account for. And I have not experienced any of the other strange shenanigans that populate the remaining two books in the trilogy and which, as is my custom, I will not spoil.
However, if you prefer to have your reading material more thoroughly examined, I will provide a link to this glowing review. Here, have another. Want someone to more thoroughly elucidate what’s weird about this trilogy? Fine.
The book jackets and reviews compare this trilogy to “LOST.” One of the above reviews says it’s like “LOST” if H.P. Lovecraft had been brought in as a script doctor. And while there is an unfortunate lack of a jump-kicking Matthew Fox, I daresay anyone that enjoyed the show for any length of time will delight in these books. But, again, there is no jump-kicking Matthew Fox; maybe I am wrong.
There is more to recommend this trilogy than its strange and startlingly fun content. For one, there is an abundance of pretty nature writing: nature lovers might be inspired to lace up their nature boots for a more tangible look at nature. It could be argued (and is argued in one of the linked reviews) that there are some fancy metaphors embedded in this series. Also, while other authors harangue their readers for being too eager for the next volume in their massive book series, VanderMeer published this trilogy in two month intervals, which gave readers respites to digest the content and crave more. And, delightfully, at this point all three are published and you need not exercise the same restraint as some doctors recommend be paired with candied bacon.
Usually, when people throw around the term fanfiction (fanfic for short), they mean the stories you find on websites such as fanfiction.net or quotev, pieces written by fans of an original comic/novel/movie/TV show, using characters from that universe, and shared with other fans. The quality of the writing can vary wildly, but the level of enthusiasm remains consistently high. In the past couple of years Kindle Worlds has allowed fanfic authors to garner pay for their work through a licensing structure that keeps everyone on the legal side of the copyright line, something that can be a nebulous issue. Legalminimum supplies some good guidelines for using established fictional characters. Since most fanfic is created out of a desire to celebrate and promote the original, rather than to make money or compete with it, many writers are happy to allow their characters to lead alternate lives.
Though the Internet has helped to popularize fanfiction, storytellers have been borrowing from their forebears for century upon century. Mark Twain wrote fanfiction. Yes, it’s true. In “A Connecticut Yankee in King Arthur’s Court” he used recognized characters from Camelot in a new tale of his own. William Shakespeare often repurposed figures from Greek, Roman and Celtic legends to populate his tales. Think of “A Midsummer Night’s Dream” and “The Tempest.”
In the past fifty years or so, many established authors have found publishing success by continuing this tradition of literary borrowing. “Wicked” by Gregory Maguire takes an adult look at L. Frank Baum’s Land of Oz, providing a sympathetic portrayal of the Witch of the West. Totally fanfiction. Similarly, Jean Rhys took up the cause of Jane Eyre’s antagonist, the purportedly insane Mrs. Rochester, in her 1966 novel, “Wide Sargasso Sea.” The continually growing spate of Jane Austen spin-offs contains too many titles too list. Meanwhile, James Deaver and others are keeping Ian Fleming’s James Bond alive.
My point is, if you enjoy reading and/or writing fanfiction, don’t be shy about it. Don’t feel it’s something less worthy than “real” literature. You’re in the company of Mark Twain and Shakespeare, after all.
Note: Why yes, there is a list in our online catalog.
When you hear Judy Blume’s name you probably think of children’s novels.
One of the first Judy Blume books I read to my kids was “Freckle Juice.” From there we progressed to “Tales of a Fourth Grade Nothing” and others. My kids loved the silliness of theses stories, which most always give way to what can be considered a learning moment of the character as well as the reader!
Blume’s newest novel, “In the Unlikely Event,” is her first novel for adults in 16 years. The story is set in Elizabeth, New Jersey during the winter between 1951 and 1952 when three planes crash within 58 days of each other. The story deals with how her 15-year-old protagonist Miri, her family, friends and the community deal with technology failure, tragedy, social change and fear and learn to find the good in all that has gone wrong. If you find yourself looking for something else to read while you wait for your hold, try one of these titles that are also family sagas set during the 1950s.
“Gilead” by Marilynne Robinson
It’s 1956, and Reverend John Ames is 77 years old and in failing health, which compels him to write a letter (that he has been putting off) chronicling three generations to his young son. Ames tells his son about his heritage. He describes his prophet-like grandfather who had a vision that sent him to Kansas to be useful to the cause of abolition, the conflict between his fiery grandfather and pacifist father, the birth and death of Ames’ first wife and child and the legacy of slavery that dates back to the Civil War.
“Cutting for Stone” by A. Verghese
In Ethiopia in 1954, twin brothers slightly joined at the head are born to a British surgeon and an Indian nun who dies shortly after their birth. Their horrified father runs off, leaving them to be raised by the surgeons who separated them. The boys, Marion and Shiva Stone, are raised on the grounds of the mission hospital where both are drawn towards the medical field. As they come of age, they are driven apart by a country in upheaval and the love they have for the same woman.
“The Garden of Evening Mists” by Twan Eng Tan
Seeking solace in her remaining years, retired, ill Chinese-Malaysian judge Teoh Yun Ling leaves Kuala Lampur for the highlands of Malaysia to discover Yugiri, which means the garden of evening mists. While there she reflects on the life she and her sister lived while interred in a Japanese slave labor camp during World War II and decides to build a commemorative garden for her sister with the help of Aritomo, the former gardener for the Emperor of Japan who reluctantly takes her on as an apprentice.
The post What to Read While You Wait for Judy Blume’s In the Unlikely Event appeared first on DBRL Next.
In keeping with this summer’s superhero reading theme, DBRL will be hosting a book talk on Thursday, July 9 featuring an anthology of poetry about superheroes, “Drawn to Marvel.” Editor and contributor Marta Ferguson and a good-natured band of fellow comics fans will be appearing in costume to give a readers’ theater presentation of many of the poems from Drawn to Marvel, with a brief Q&A to follow. Books will be available for sale and autographing. In anticipation of the event, Dr. Ferguson answered some questions about the anthology.
DBRL: In the editor’s note you mention that when you were the poetry editor at The Missouri Review you accepted superhero themed poetry from two different writers (Bryan D. Dietrich and Nicholas Allen Harp), and that the discussion among the three of you sparked the idea for this anthology. It’s such a niche subject, so was it difficult to find poetry in the superhero genre? Is there a community of poets creating work about superheroes?
MF: Back in 2003, when we began talking about superhero poetry, all three of us knew somebody else who’d written and published at least one poem having to do with superheroes. Bryan’s book of Superman sonnets (“Krypton Nights,” Zoo Press, 2002) had come out the year before, and it was arguably the first really visible collection of all-superhero poems in the academic-literary poetry arena. It won the Paris Review Prize and came out with a hip little press that had a terrifically well connected publication team, so lots of people saw it. However, over in the speculative poetry arena (presided over by the Science Fiction Poetry Association and capped by the annual Rhysling award), there was already lots of superhero energy stirring among poets like Bruce Boston and Marge Simon. And there were already classic superhero poems, like Albert Goldbarth’s “Powers,” which we were lucky enough to get, and Simon Armitage’s “Kid” (Robin), which we weren’t, because of the permissions pricing.
Over the decade that we gathered work, there was always MORE work to gather. In 2013 when we put out a call for superhero poems, we were almost buried under the submissions pile: 800? 1,000 pieces? And we already had about 100 pages? Whoo hoo! At this point, it’s a sub-genre. And we got to be the first anthology to honor it, which feels great.
DBRL: I was excited to see how many of these poems were about female/feminine superheroes, and how several of the pieces analyzed how gender is portrayed in superhero myths. Gender in comic books and in ‘geek culture’ in general has been a hot news topic this year. Do you have any thoughts you’d like to share on this issue?
MF: Comic books themselves have welcomed female authors and characters for a long time. There’s still more cover cleavage than most of us non-illustrated women feel is necessary, but there’s no doubt that women have an established place in comics culture.
I think the controversy you’re referring to is over women in video games and female video game reviewers. There’s a lot I could say on that as well, not much of it suitable for a public forum. So I’ll leave it at this: Boys, it’s time share the clubhouse. If you keep pulling up the rope ladder, we’ll just jetpack in through the windows.
DBRL: The intro, an excerpt from Bryan D. Dietrich’s “A Defense of Superhero Poetry”, discusses superheroes’ place in mythology and superhero poetry’s juxtaposition of the mundane and the super. Would you be able to quickly summarize that for someone who hasn’t yet had a chance to read the book?
MF: Sure, Bryan’s argument, which has been echoed by other critics as well, is that superheroes are the new mythology. Just as the Greeks used their gods to speculate about why the sun came up and how we learned to use fire, superheroes help us explore our relationship to technology, our evolving understandings of race and gender, our increasingly globalized world and our place in the larger universe.
DBRL: DC or Marvel? And do you have a favorite superhero?
MF: I have to be honest, I grew up in the DC universe. My dad collected old fishing tackle, and my brother and I would tag along with him to garage sales. Any box of comics we could negotiate down to a dollar, he’d pay for—and my favorites were always the Batman books. I spent a lot of time just before I fell asleep at night deciding who I’d rather be: Robin? Batgirl? Poison Ivy? The Joker? Funny that I never wanted to be Bruce himself. Since I now write as Barbara Gordon (Oracle/Batgirl), I’d have to say she’s my favorite, though I have an affinity for the entire Cape-and-Cowl set.
DBRL: Have you read any good books recently that you would like to recommend to our readers?
MF: Always! In keeping with the theme, I highly recommend two new superhero poetry collections, both on the shelves at DBRL:
DBRL: Other than Daniel Boone Regional Library, where can readers get a copy of “Drawn To Marvel”?
Don’t miss the “Drawn to Marvel” book talk at the Columbia Public Library this Thursday, July 9 at 7 p.m. in the Friends Room. Due to adult themes and violent content, the event is recommended for mature readers. A free copy of the book will be given to the best-costumed attendee.
Just in time for all of your summer road trips, on May 28 the Audio Publishers Association (APA) announced the winners of its 2015 Audie Awards competition, honoring spoken word entertainment. The top prize – audiobook of the year – went to “Mandela: An Audio History” by Nelson Mandela and narrated by Desmond Tutu, Nelson Mandela and Joe Richman. Here are some of the other award winners available for check-out from your library.
Distinguished Achievement in Production
Neil Gaiman’s full-cast production of “The Graveyard Book“
While this book for young readers was originally published in 2008, this new recording by a group of British all-stars brings Gaiman’s dark tale delightfully to life. Nobody Owens, known to his friends as Bod, is a normal boy. He would be completely normal if he didn’t live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead.
“Not My Father’s Son” by Alan Cumming (narrated by the author)
In his unique and engaging voice, the acclaimed actor of stage and screen shares the emotional story of his complicated relationship with his father and the deeply buried family secrets that shaped his life and career.
“All the Light We Cannot See” by Anthony Doerr (narrated by Zach Appelman)
Marie Laure lives with her father in Paris and is blind by age 6. Her father builds her a model of their neighborhood, so she can memorize it and navigate the real streets. When the Germans occupy Paris, they flee to Saint-Malo on the coast. In Germany, Werner grows up enchanted by a crude radio he finds. He becomes a master at building and fixing radios, which wins him a place with the Hitler Youth. Werner travels throughout Europe during the war, and finally to Saint-Malo, where his story and Marie Laure’s inevitably converge.
“The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism” by Doris Kearns Goodwin (narrated by Edward Herrmann)
Goodwin describes the broken friendship between Teddy Roosevelt and his chosen successor, William Howard Taft. With the help of the ‘muckraking’ press Roosevelt had wielded the Bully Pulpit to challenge and triumph over abusive monopolies, political bosses, and corrupting money brokers. Roosevelt led a revolution that he bequeathed to Taft only to see it compromised as Taft surrendered to money men and big business.
“Silkworm” by Robert Galbraith (Read by Robert Glenister)
This is J.K. Rowling’s second mystery novel written under the pen name of Robert Galbraith. The fast-paced narrative focuses on a missing novelist, Owen Quine, and private detective Cormoran Strike. Quine has just completed a manuscript featuring poisonous pen-portraits of almost everyone he knows. If the novel were to be published, it would ruin lives. That means that there are a lot of people who might want him silenced.
“Furious Cool: Richard Pryor and the World That Made Him” by David Henry and Joe Henry (narrated by Dion Graham)
David and Joe Henry bring Richard Pryor to life both as a man and as an artist, providing an in-depth appreciation of his talent and his lasting influence, as well as an insightful examination of the world he lived in and the influences that shaped both his persona and his art.
The label “Great American Novel” is often applied to a book that captures something essential about American culture and its people, a story grounded in and informed by the American experience. Others use the term to identify a work as the best representative of the kind of literature being written in America during a particular time period. And of course, a great many other readers and critics dismiss the idea of any book being able to capture the diverse experiences and realities of all Americans. Whatever your opinion, this July 4th you can celebrate our nation’s independence with these books that – if the honorific were actually to be awarded – could be contenders for the title of Great American Novel.
“Freedom” by Johnathan Franzen
The Berglunds, the suburban family at the center of this book, appear perfect on the outside, but looks are deceiving. The story follows them through the last decades of the twentieth century and concludes near the beginning of the Obama administration. Their lives begin to unravel when their son moves in with aggressive Republican neighbors, green lawyer Walter takes a job in the coal industry and go-getter Patty becomes increasingly unstable and enraged. Desire, entitlement, marriage, family – Franzen plumbs these and many other weighty topics in this study of middle class American life.
“Gilead” by Marilyn Robinson
This lyrical and thoughtful novel takes the form of a letter from the dying Reverend John Ames to his son, revealing Ames’ deep reverence for his life, his work and this country. He chronicles three previous generations of his family, including a fiery abolitionist grandfather and pacifist father, both also men of faith. The story stretches back to the Civil War, reveals uncomfortable family secrets and examines the bond between fathers and sons.
“To Kill a Mockingbird” by Harper Lee
First published in 1960, the racial injustice described in this novel unfortunately has strong echoes in today’s America. Scout Finch, daughter of the town lawyer, likes to spend her summers building tree houses, swimming and catching lightning bugs with her big brother Jem. But one summer, when a black man is accused of raping a white woman and her father defends the man in the courtroom, Scout’s carefree days come to an end. She joins her father in a desperate battle against ignorance and prejudice in their small Alabama town.
The post Three Great American Novels for Your Fourth of July appeared first on DBRL Next.
This summer we’re exploring heroes, from crime-fighting superheroes to everyday folks just making a difference in their communities. Heroes can also be found within the pages of great literature. Historical fiction, which often chronicles the imagined experiences of real-life events, is a genre that is especially filled with heroes. I will admit I’m partial to stories of women in these historical settings. I know my own life is very different than those of the women who came before me. In fact, the life I lead has been very much shaped by those brave women from earlier centuries. The heroic women of historical fiction provide a glimpse into the challenges women of the past faced and how their bravery shaped today’s world. Here are a few of my favorite historical novels featuring strong women.
The years before the Civil War were tumultuous, especially in the Kansas Territory where abolitionists struggled to gain a stronghold and help the state enter the Union as a free state. Jane Smiley’s “The All-True Travels and Adventures of Lidie Newton,” features a Midwestern young woman who finds herself thrust into the upheaval of “Bleeding Kansas.” Lidie heads out to the territory with her abolitionist husband and (to be frank) completely unrealistic expectations of what the Kansas prairie will be like. The story, filled with Lidie’s dry wit, is at times laugh-out-loud funny, and at others is quite sobering in its portrayal of the horror of slavery and violence of those years. I think Missouri residents will find this read especially interesting given all the Missouri locales that Lidie visits during her travels.
The experience of Chinese immigrants in WWII-era Los Angeles features in Lisa See’s “Shanghai Girls.” Pearl and May are sisters living exciting lives as models in glamorous Shanghai. When WWII breaks out, they find themselves in arranged marriages to sons of a Chinese-American merchant. Pearl and May are forced to leave China for the United States, landing first in the Angel Island Chinese immigration station and then in Los Angeles’ Chinatown. The sisters, bearing the weight of their own painful secrets, struggle to adjust to life under a domineering father-in-law and a society that is highly prejudicial against Asian-Americans. See’s novel, based in part on her own family’s experiences, provides a captivating look at the immigrant experience in this country.
A small town’s struggle to survive during the Plague is chronicled in Geraldine Brooks’ “Year of Wonders.” The story is based on actual events — a small Derbyshire town called the village of Eyam quarantined itself in 1666 in order to prevent the plague from spreading further. Anna, a young maid, finds herself tasked with learning herbal remedies and midwifery when her village is overcome by the devastating disease. She becomes an important healer but faces many challenges, including the superstitions of the very people she is working to save. The novel is a beautifully written journey of self-discovery as Anna realizes strength and determination she did not know she possessed.
The superhero. The origin story, the nemesis, the team up, the world-saving, etc. Oh, and the reboot. Never forget the reboot. We’ve seen it before, and we’ll see it again. The superhero is an enduring trope that has permeated pop-culture. Inevitably, writers and artists started creating comics that critique, satirize and subvert the idea of the superhero. What might have started as efforts to tell a new story in a well-worn genre morphed into creative examinations of the concept of the superhero. Despite any high-minded genre dissections, the basic thrill of superhero stories is in these titles. These creators work in the genre because they ultimately love it, warts and all.
In 1986 two series premiered which are now touchstones for the re-imagining of the superhero story: Watchmen, and The Dark Knight Returns. The Dark Knight Returns by Frank Miller tells the story of a 55-year-old Bruce Wayne who must return from retirement (spoiler alert!) as Batman. Gotham has turned into a bit of a dystopian nightmare in the 10 years since Batman retired. Batman is not so nice and not very stable. His reemergence brings some of his arch rivals out of retirement as well, which adds to the chaos in Gotham. In addition to being a different take on an iconic character, “The Dark Knight Returns” satirizes the media and political atmosphere of the 1980s.
Watchmen by Alan Moore and Dave Gibbons also offers a critique of the 1980s, specifically the Cold War hysteria of the time. It examines political themes buried in comics, such as the line between vigilantism and fascism, and what a government might really do with superpowered beings. Moore’s original idea started as a murder mystery involving characters from Charlton Comics, which DC Comics had just purchased. Although Moore was persuaded to create original characters for the story, it maintained it’s very meta take on comics, what Gibbons referred to as “a comic about comics.”
An unfortunate trend followed the success of Watchmen and The Dark Knight Returns. Many comics appeared that tried to replicate their success with darker, more violent superhero stories, but they lacked the substance that made those comics lasting works. However, some darker comics followed whose quality is comparable.
The series Marshal Law by Pat Mills and Kevin O’Neill first appeared in October 1987, when the final issue of Watchmen was published. It’s a darkly satirical story where the superheros are misguided government experiments and shell-shocked war vets wreaking havoc in a crumbling San Francisco, now called “San Futuro.” Marshal Law is a legally sanctioned superhero hunter (“I’m a hero hunter. I hunt heroes. Haven’t found any yet,” is his tag line). He’s trying to round up all the rogue heroes to make the city safer. From superheros.
The Boys by Garth Ennis also deals with out-of-control superheros with a dark, satirical tone. In this case the superheros are an amoral and entitled variety that play a public role as “heroes” while in reality show a complete disregard for others. The Boys are a CIA-backed group who have lost loved ones, or otherwise had their lives ruined, by the negligence and misbehavior of superheroes. They are given injections of the same compound that creates superheroes and tasked with holding the “‘supes” accountable. They do so with a vengeance.
The series Irredeemable and Incorruptible by Mark Waid tell two sides to the same story. Irredeemable is the story of Plutonian, a god-like superhero from another world (like Superman) who loses it. He lays waste to much of the world, and the survivors live in terror of him. The story traces the cause of his meltdown, while also following the uphill battle surviving superheros have in their attempt to stop the most powerful being on Earth.
Incorruptible follows super villain Max Damage after Plutonian’s meltdown. The horror inflicted by Plutonian and the state the world is in give Max a crisis of conscience. The series follows him as he tries to change his ways and do right in this broken world.
Daniel Clowes‘ The Death Ray examines the “with great power comes great responsibility” line from Spider-Man, asking “what might a misfit teenager really do if he had superpowers?” Andy is growing up in 1970s Chicago and suffering at the hands of bullies. He discovers that smoking cigarettes gives him super strength. Naturally, he arms himself with a ray gun and looks for revenge. Andy is neither good nor evil but a realistic portrait of a mixed-up kid given some unrealistic abilities. The story is told with the mix of melancholy, humor and cynicism that has made Clowes one of the most critically acclaimed cartoonists of our time.
Can we all just agree to take the month of July off to sit around in our hammocks sipping iced tea and reading until our eyeballs break? The LibraryReads list highlighting books publishing next month (and inspiring librarians across the country to entertain similar fantasies) includes not only the expected breezy romances but also a new historical fiction from Paula McClain (“The Paris Wife“) and a confident debut that will delight foodies with an appetite for character-driven novels. Bon appétit!
“Kitchens of the Great Midwest” by J. Ryan Stradal
“This novel is quirky and colorful. The story revolves around chef Eva Thorvald and the people who influence her life and her cooking. With well-drawn characters and mouthwatering descriptions of meals, ‘Kitchens of the Great Midwest’ will appeal to readers who like vivid storytelling. Foodies will also enjoy this delicious tale.” – Anbolyn Potter, Chandler Public Library, Chandler, AZ
“Circling the Sun” by Paula McLain
“I couldn’t stop reading this fascinating portrayal of Beryl Markham, a complex and strong-willed woman who fought to make her way in the world on her terms. McLain paints a captivating portrait of Africa in the 1920s and the life of expats making their home there. Highly, highly recommended.” – Halle Eisenman, Beaufort County Library, Hilton Head, SC
“Kiss Me” by Susan Mallery
“As always, Ms. Mallery has given us a fantastic read. As soon as I pick up her titles, I can’t put them down until I have finished them. They are feel-good, heartwarming — I need more synonyms. I love seeing all the previous characters, the friendships and families that have formed since ‘Chasing Perfect’ came out five years ago. Thanks, Ms. Mallery, for another amazing read.” – Jenelle Klavenga, Marshalltown Public Library, Marshalltown, IA
Here is the rest of the July list with links to the library’s catalog. Place your holds now!
“Second Chance Summer” by Jill Shalvis
“Speaking in Bones” by Kathy Reichs
“Those Girls” by Chevy Stevens
“Maybe in Another Life” by Taylor Jenkins Reid
“Crooked Heart” by Lissa Evans
“Love Lies Beneath” by Ellen Hopkins
“Good and Cheap: Eat Well on $4/Day” by Leanne Brown
I was excited to read “A Brave Man Seven Storeys Tall” because the story of a brave giant is almost certain to be exciting. To my brief disappointment, the title isn’t literal. But my disappointment was curtailed because the story is riveting. We begin with water polo star Owen Burr, his days infused by one of four colors (obviously: peridot, gamboge, ultramarine and carmine) that correspond to the general feel of the day, and of course, a Greek god. Owen is to participate in the Olympics until a savage blow from from a decidely ungentlemanly opponent obliterates one of his peepers. While most people, after losing an eye, turn to a life of pillaging on the high seas, Owen’s plan is slightly less ambitious. Eyepatch donned, Owen bravely abandons college, steals his father’s prized copy of “The Odyssey” and leaves his goodbye on a post-it note. He journeys to Berlin to become an artist and discover which half of his life would be wasted.
Once there, he meets one tremendous scoundrel, several lesser scoundrels and some people that aren’t scoundrels. When the tremendous scoundrel, a famous artist whose work is often exploitative and disgusting, offers to collaborate with Owen, some dreadful things occur. I haven’t been this outraged by the actions taken against a character since watching any Game of Thrones episode. But Owen has no swords or dragons or lofty titles, only a dashing eye patch and a desire to create.
Meanwhile, Owen’s father, a professor at a fancy college, is distraught about his son. He begins searching for him and finds saying radical things leads to notoriety which might lead to Owen finally responding to an email or perhaps sending a telegram. Joseph Burr’s search leads him to Athens, where he makes a speech about Scarface and philosophy and whatnot. Someone rushes the stage and hands the professor a Molotov. Joseph is trying to spare the crowd a good burning when he lofts the explosive at the Parthenon. Alas, his toss isn’t widely viewed as the good deed it was. Fear of imprisonment ushers him out of Greece and onward on his trek to find his son.
Owen is also on the run now, having done a very bad thing to a man who very much deserved it. I’ll cease the plot talk here, as much of a delight as it is — I’ve already spoiled more than I consider gentlemanly, but sometimes an honorable man wants to write about a professor throwing Molotovs at the Parthenon.
Will Chancellor is a gifted writer, and there is a bounty of delightful sentences in store for anyone who takes this recommendation. Here are some words from the writer John Warner, who did a superior job of recommending this novel.
“…What I loved about the novel is the kitchen-sink quality of its ideas and obsessions. At one point or another Chancellor touches on: Plato’s allegory of the cave; remote-controlled boats; postmodern performance art; postmodern political theory;…Icelandic myth; the inevitable upselling of camping gear; campus politics; and the particular genius of Hungarian water polo.
…I fell in love with the book because it is one of a handful of books I will read in a given year that remind of the potential of literature to mine our obsessions and share them with others…A Brave Man Seven Storeys Tall is the most “alive” book I’ve read this year. I don’t delude myself as to the size of this megaphone, but I hope someone’s listening.”
It’s the mid-part of the 20th century. A beauty contest at Mizzou inspires a protest consisting of 300-700 students. The entire town of Columbia is in upheaval over the possibility of renaming Columbia’s Providence Road and a blonde woman in a trench coat replacing Daniel Boone himself on MU’s parking permits. All of these events took place because of a mysterious cartoon woman. That woman is Miss Mizzou, a fictional character in Milton Caniff’s famous comic strip “Steve Canyon.” Local author and artist J.B. Winter did some investigation into our local history to create his book “Miss Mizzou: A Life Beyond Comics.” He was nice enough to answer a few questions for DBRL Next before his talk at the Columbia Public Library on June 15.
DBRL: This is a really interesting story that, at least in the past few decades, hadn’t gotten much attention prior to the publishing of your book. How did you discover Miss Mizzou and Milton Caniff’s connection with Columbia?
JBW: I came across the character on a blog post and started researching from there. Cartoonist Milton Caniff was a big name in his day, so I wanted to see why he would have created a character related to Columbia. I had no idea I had come across such a unique and interesting character.
DBRL: Miss Mizzou is a college-aged woman who spends time with students at the university, though she herself is not a student, but a server at a local restaurant. How much do you think the University of Missouri and the town of Columbia actually inspired this character?
JBW: If Caniff had not taken a liking to how the word “Mizzou” sounded, I doubt he would have created the character. Once Caniff had the character name, he created a back-story to the character that was rooted in his memory of his short visit to Columbia. You can see evidence of this by the various references to Columbia landmarks in the strip. However, he repeatedly denied basing the character off any waitress he met in Columbia.
I think Caniff was fascinated by the Midwest in general, and that worked its way into the character. He was from the small town of Hillsboro, Ohio, and he’d often throw characters who had small town backgrounds into his comics. It added a lot of realistic background texture that played off of the more fantastical elements in the strip.
DBRL: Do you think a character like Miss Mizzou would be as popular, or cause as much controversy, if she were created today (perhaps in a different incarnation, such as in web comic or as a television character)?
JBW: The specific character traits of Miss Mizzou probably wouldn’t resonate as much with a modern audience as they did back in the 1950s. I think the character had some heavy ties to Marilyn Monroe’s popularity and that Monroe archetype is probably a little too dated at this point to get as much notice.
The idea of some modern character catching on in small town America seems possible–many small towns today are still eager for opportunities at national recognition. However, modern media as a whole (television, comics, movies, etc.) seem to devalue characters with ties to real small towns, and I think this was a central part of Miss Mizzou’s popularity.
The whole promotional aspect of Miss Mizzou emphasized that bond citizens had with their local newspaper. Caniff would occasionally give a nod to a city where the newspaper directly bought his strip; it was just a good public relations move for everyone involved. The cash flow in the modern media landscape doesn’t work like it used to, and as a result, I think that emphasis on specific small town locales gets written out of most stories in favor of larger cities or nameless small towns.
So in short, while it’s possible that some character could gain popularity and/or cause controversy in a small town like Miss Mizzou did, I don’t think it would happen very easily given the modern media landscape.
DBRL: In addition to writing this book, you also create your own comics. Would you care to tell us a little about your comic art?
JBW: I tend to do experimental comics. Sometimes I play around with conventions of the form, illustrating with unique constraints in mind. Other times I have drawn some regular comics, but have done them on a unique canvas like a sidewalk or tortillas. To me it’s all about pushing the boundaries of comics.
I’m probably most known for my 50 state comic. For that project, I used contributions from 50 artists from 50 different states in a collaborative jam comic that featured my character Izzy the Mouse. The idea was that Izzy toured America and in each of the 50 panels Izzy visited a different state. The results were published as a mini-comic when I was done.
DBRL: Have you read any good books lately that you’d like to recommend to our readers?
JBW: If you’d like to learn more about Milton Caniff, I’d highly recommend the current “Steve Canyon” reprints currently coming out from IDW & Library of American Comics. You can start out with Miss Mizzou’s first adventure in “Steve Canyon: 1951-1952,” or read the latest volume, “Steve Canyon: 1955-1956.” Caniff has never been reprinted with such care and attention to detail.
There were a lot of great graphic novels released last year, but one of my favorites I’d recommend is “Seconds” by Bryan Lee O’Malley. It’s his first book after the highly successful “Scott Pilgrim” series, and it really shows an organic growth in style and approach from his last effort. It has all the elements I like to see in a story: good relateable characters, fantastical situations, experimental storytelling, etc.
Let the summer reading begin! Some readers turn to lighter fare in June, wanting books with breezy plots they can finish in a long afternoon, fast-paced thrillers that make miles of travel fly by or fantasy novels into which they can escape. Others use hard-earned vacation time (I’m waving at you, teachers!) to dive into hefty works of literary fiction or narrative nonfiction. Whatever reading mood summer inspires, we’ve got a hot-off-the-presses recommendation for you from LibraryReads. Here are the top 10 titles publishing in June that librarians across the country love and recommend.
“Eight Hundred Grapes” by Laura Dave
“Take your time and savor the family dynamics. Enjoy the romantic twists in this tale of a career-minded young woman circling back to her roots at a California winery. The appeal is broader than that of a romance since it delves into the complexities of various relationships — parent to parent, parents and children, even winery and owner. This is an excellent summer read!”
– Joan Hipp, Florham Park Public Library, Florham Park, NJ
“The Truth According to Us” by Annie Barrows
“It is 1938 in a rural West Virginia town and a young woman arrives to write the town’s history. Layla doesn’t really know what to expect from the town, and the town doesn’t know what to make of her. This is the heart of the South, the soul of small towns, where everyone looks out for you and knows your history. A sweet story tailor-made for fans of Billie Letts, Fannie Flagg, Pat Conroy and Harper Lee.”
– Kimberly McGee, Lake Travis Community Library, Austin, TX
“The Book of Speculation” by Erica Swyler
“A roller coaster of a read! This is the story of a librarian from a splintered family with a tragic past who is gifted a mysterious book that leads him to dive deep into his family’s history, all while his present life seems to be falling to pieces around him. If you loved Morgenstern’s ‘The Night Circus’ or Kostova’s ‘The Historian,’ this is a book for you.”
– Amanda Monson, Bartow County Library System, Cartersville, GA
“The Little Paris Bookshop” by Nina George
“Quirky and delightful, Nina George’s book focuses on Jean Perdu, owner of the Literary Apothecary, a floating bookshop. When a new tenant in his apartment building sets in motion events that force Jean to re-evaluate his past, he finds himself floating off down the rivers of France in search of lost love, new love and friends he didn’t know he needed.”
– Beth Mills, New Rochelle Public Library, New Rochelle, NY
And here’s the rest of June’s best with links to the library’s catalog so you can place your holds on these forthcoming books.
- “The Invasion of the Tearling” by Erika Johansen
- “In the Unlikely Event” by Judy Blume
- “The Rumor” by Elin Hilderbrand
- “The Precipice” by Paul Doiron
- “My Grandmother Asked Me To Tell You She’s Sorry” by Fredrik Backman
- “Pirate Hunters: Treasure, Obsession, and the Search for a Legendary Pirate Ship” by Robert Kurson
As a regular reader of the thriller genre, I was excited to finally give Karin Slaughter a try. I was familiar with her name — her novels are often bestsellers that fly off the shelves. I was immediately drawn to her strong writing. Slaughter’s style is dark and gritty. She’s not afraid to expose the dark side of her characters (even those that you’re rooting for)! Although many crime novels are set in more urban areas, Slaughter takes readers into small, Southern towns, where horrific crimes are bubbling just under the surface. And when they explode into visibility, it becomes clear that even idyllic small towns are not safe from the darker side of human nature.
Her most recent series (starting with the twist-filled thriller, “Triptych“) features Will Trent, a special agent for the Georgia Bureau of investigation. I learned that some of the characters who show up in the Will Trent stories were first featured in her “Grant County” series. I’m a bit of a stickler for reading things in order (gotta avoid spoilers!), so I set out to read the earlier series first.
The “Grant County” series features Dr. Sara Linton, town pediatrician and coroner, as well as her ex-husband (and chief-of-police) Jeffrey Tolliver. Sara and Jeffrey’s troubled relationship plays out over six books as they work together to solve several horrific crimes. The series also includes troubled officer Lena Adams. Lena is Jeffrey’s protogé, and the vicious murder of her twin sister Sybil opens this series in “Blindsighted.” In the next two novels — “Kisscut” and “A Faint, Cold Fear” — the trio find themselves drawn into cases involving a family’s dark secrets and a series of suicides at the local college. A personal favorite of mine from the series is “Indelible,” which features an incredibly tense hostage situation. This book also provides a glimpse into the early days of Sara and Jeffrey’s relationship, as well as their involvement in the possible cover-up of a crime. In “Faithless,” Sara and Jeffrey look into a murder that may be connected to a local religious cult, while Lena struggles to maintain a grip on both her personal and professional lives. And, in “Beyond Reach,” the series’ final book, Sara and Jeffrey journey to Lena’s hometown after she is accused of murder, leading to repercussions none of them could have imagined.
Slaughter knows how to write a taut thriller, but she truly excels in developing complex characters and exploring their even more complex relationships. I found myself pulled into not only the story of how Sarah, Jeffrey and Lena solved the crimes, but also the drama in their ever-evolving relationships. The “Grant County” series is truly an engaging saga, with each novel building on the events of the previous one. And lucky for us readers, Slaughter gets better with each book.
The post Suspense in a Small Town: Karin Slaughter’s Grant County Series appeared first on DBRL Next.
It can be great fun to read about villains, whether it’s because they command an army of monkeys (Wicked Witch), or they’re a great cook (Hannibal Lector) or they make you feel better about your own ethical shortcomings (Martha Stewart). But when you often read about such indisputably inhuman monsters, it’s good to be reminded that not everybody that does bad things is evil, and sometimes they are elephants. “The Tusk That Did The Damage” reminds us of this. In this sad and lovely and sometimes scary little novel, the elephant known as “The Gravedigger” witnessed the murder of his mother and the removal of her tail, and, after an often horrific existence marked by cruelty, isolation and a stint in the entertainment industry, begins murdering people and covering their corpses with leaves. Hence his catchy nickname.
“The Tusk That Did The Damage” rotates among three perspectives: the aforementioned homicidal elephant, a young woman working on a documentary about a veterinarian running a rescue center for elephants and the younger brother of a young elephant poacher. While each narrative is worthy of my esteemed recommendation, getting inside the head of a mad elephant is the highlight for me, and I’d gladly read any excised material should the publisher wish to reward me for the sales boost I’m currently providing.
Tania James has given us a novel that raises a lot of questions, like: Why is the world set up so that the poverty stricken often have little choice but to step outside the law if they want their children to have cool stuff like plentiful food and maybe a toy? Why are humans so quick to kill things because pretty stuff is attached to their victims? And why can’t mosquitoes carry around little sacks of ivory so we don’t have people murdering intelligent creatures so they can make really pretty pianos? (You would be like, “Ouch, it hurts to slap a sack of ivory,” but then you’d be like, “It’s cool though cause I’ll just run this conveniently packaged ivory down to my local ivorysmith and he’ll turn it into a fancy trinket and give me some folding cash and maybe I’ll buy a little ivory glove from him so it doesn’t hurt to kill mosquitoes.”) Maybe you’ll get to thinking about the poacher’s brother’s insight that his community is “neither poor enough nor princely enough to appear on Western screens.” I’m grateful to see it on Western pages.
Sara Gruen’s latest bestseller is “At the Water’s Edge.” After humiliating themselves and their families in the states, three spoiled, rich Americans — Maddie, her husband Hank and his best friend Ellis — arrive in Loch Ness during the middle of World War II in search of the famed monster. While Hank and Ellis spend their days drinking and hunting Nessy, Maddie is left alone to get a job, do chores and bond with the town folk who teach her the culture of the area. As the days turn into weeks, Maddie is transformed from “brat” into an independent young woman able to look at the truth about herself, her marriage and her family. If you find yourself waiting to read about Maddie, you might enjoy one of these other stories about personal change.
“I Still Dream About You” by Fannie Flagg
From the outside, it looks like Maggie has it all. As a 60-something former Miss Alabama, beautiful, charming and a real estate agent at a local firm, Maggie thinks her life is a failure. This sure wasn’t the life she dreamed about as a child. Struggling with disappointment and ready to commit suicide, Maggie postpones her “date with doom” when she lets a friend talk her into going out for a one-night-only entertainment event. As she tries to reschedule her “date,” business and life further interrupt her plans. Maggie lands the listing of a historical mansion (beating out Babs, a rival realtor), finds a kilted skeleton in the attic, campaigns for the first black mayor and is involved in an auto accident, leading her to surprising discoveries and lessons in friendship.
“Skeletons at the Feast” by Chris Bohjalian
This novel is based on a true life diary of a desperate escape from Germany during the fall of Hitler’s Third Reich. As the Russian army advances, the Nazis increase their violence on women and children to try to maintain the illusion of control. Anna, a Prussian aristocrat, her lover Callum, a Scottish POW, and Uri, a secret-filled escapee from an Auschwitz-bound train all journey across the iced-over Vistula River as the Reich falls. Tension is high between the lovers and this stranger as they flee from the war-ravaged cities.
“Flight Behavior” by Barbara Kingsolver
Dellarobia is an unsophisticated, chain smoking, restless young mother, stuck on a sheep farm in rural Tennessee. She got married at 17 instead of going to college, and now she feels unhappy and stuck, about to begin an affair with a telephone lineman to bring her back to life. On her way to said fling, she is waylaid by a magnificent sight, a “lake of fire” created by millions of monarch butterflies in the pasture owned by her in-laws. This amazing phenomenon is a disruption of the butterflies’ normal migratory route. As scientists, media and tourists converge on this impoverished area of the country, Dellarobia is awakened to the realities of her poverty-stricken life. She is given the opportunity to work alongside the scientists, expanding her horizons. Now, she is faced with the choice of keeping the status quo or perhaps finding personal fulfillment.
The post What to Read While You Wait for At the Water’s Edge by Sara Gruen appeared first on DBRL Next.
Local author and professor Steven Watts be giving a talk at the Columbia Public Library this Thursday about his book “Self-Help Messiah.” The book documents the life and times of Dale Carnegie, author of “How to Win Friends and Influence People,” and the dynamic era in which he rose to fame. Here is an interview with the author for a sneak preview of the event.
DBRL: What inspired you to write this book?
SW: Over the last 20 years or so I have been writing biographies of major figures in the shaping of modern American culture, a group that included Walt Disney, Henry Ford and Hugh Hefner. In particular, I have been interested in exploring how a mainstream modern creed of consumerism, personality and self-fulfillment replaced an older Victorian standard of producerism, character and self-control. After completing the Hefner book, I was looking for a new subject when Dale Carnegie rose to the surface. I had taught about him for many years in a couple of my classes at MU, focusing on his popular advice literature in the twentieth century, and his ideas always had formulated vigorous debate, as some students loved him and others hated him. When I looked at the literature, I was surprised to see that no one had written a full-scale biography of this crucial figure in modern American life. So he seemed like a natural choice for my next project.
DBRL: As a library employee, I see “How to Win Friends and Influence People” circulate regularly, which surprises me considering that the book was written almost 80 years ago. Why do you think the book has stayed relevant for so long?
SW: “How to Win Friends,” some historians have suggested, is one of the three or four best-selling non-fiction books in the entire sweep of American history and probably stands in the top dozen or so for books of all kinds. The figures I have seen support that contention. Its enormous popularity is no accident. Carnegie, with his anecdotal style and perky personality, supplied Americans with a compelling and easily digestible handbook on how to succeed in modern society. (What Horatio Alger was to the nineteenth century, Carnegie was to the twentieth.) His advice is brilliantly tailored to meet the demands and expectations of a modern bureaucratic society and a consumer culture, particularly for white-collar workers. Since that basic structure still stands in place in the United States, and indeed seems to be spreading inexorably around the world with globalization, the advice is still relevant. People respond to it viscerally, I think, and sense immediately that its principles can be applied effectively to their daily lives.
DBRL: How pivotal do you think Carnegie was? Do you think he was in the right place at the right time, and that someone else would have filled this cultural role had he not? Was this shift already on the verge of happening? Or do you think our culture would have looked much different today had he not published this book?
SW: This “what if” kind of question is always difficult for a historian to answer because we will never know what might have happened. We can only speculate, and my speculation is this. Famous people, I always tell my students, are usually individuals who stand in the right place at the right time with the right idea. It is partly a matter of context and circumstance and partly a matter of individual perception and talent. Carnegie is just such a figure. American culture was in the midst of large-scale change in the early twentieth century, so, yes, that process would probably have gone on and ended up in roughly the same place without Carnegie. At the same time, however, his efforts played an important role in formulating and systematizing vague notions of personality development, consumer striving and success that were floating around in the cultural atmosphere. He took what was nascent and made it concrete. So Carnegie does strike me as a pivotal figure whose unique talents help define and push forward a broad process of cultural change that has shaped our modern world. While it would have gone on without him, of course, I believe that he played a very important role in giving it the particular caste it has taken on.
DBRL: In her book “Quiet: The Power of Introverts in A World That Can’t Stop Talking,” Susan Cain pinpoints Dale Carnegie as one of the most influential people in America’s shift from a culture that values a person’s character to one that places more value on an individual’s personality. Do you agree with that assessment?
SW: I agree completely. In fact, this shift from “character,” with its stress on internalized moral qualities, to “personality,” with its stress on the projection of attractive images to others, is one of the main arguments in my book. It describes not only the broader shift in American culture that is first glimpsed in the 1890s before building much steam in subsequent decades, but also Carnegie himself, whose paeans to the power of personality are key to his success advice.
DBRL: Have you read any good books lately that you’d like to recommend to our readers?
SW: I do a lot of reading in non-fiction, as you might imagine, particularly in American history but also in ancient Roman history, which has been a kind of intellectual hobby of mine for many years now. In the former area, I would recommend Robert Dallek’s “Camelot’s Court: Inside the Kennedy White House,” an interesting exploration of the key figures who surrounded JFK in the creation of the New Frontier in the early 1960s. In the latter area, I have just finished “The Death of Caesar: The Story of History’s Most Famous Assassination,” by Barry Strauss, which presents a colorful and insightful account of the murder of Julius Caesar and its role in the decline of the Roman Republic and the rise of the Roman Empire.
Don’t miss Steven Watt’s book talk at the Columbia Public Library from 7 – 8:15 p.m on Thursday, May 14. Copies of the book will be available for purchase and signing.
“You can make more friends in two months by becoming interested in other people than you can in two years by trying to get other people interested in you.” So advised Dale Carnegie, the father of self-help in the United States. His book, “How to Win Friends and Influence People,” was first published in 1936 and still occasionally generates a waiting list here at the library. This is no small feat in an age when the Next Big Thing crops up approximately every 12 hours.
Carnegie’s life story is as American as it gets. He was a Missouri farm boy turned cultural phenomenon, arriving at that status via a series of sales jobs, stints teaching public speaking in night school, the launch of a leadership training franchise and eventually his best-selling book. He played a major role in the shaping of U.S. society as we know it today, some say for the better and some say for the worse. The truth is probably a mix of the two. Warren Buffet claims to have gained a lot from Carnegie’s teachings, but so does Charles Manson. It may be a case of appropriate versus inappropriate use of tools.
That’s what Carnegie aimed to provide – tools for social interaction. His initial target audience consisted of professionals who struggled with people skills. “How to Win Friends…”contains an agreeable mix of aphorism and anecdote. Along with bits of his own wisdom, the author includes quotes aplenty from other sources: Ralph Waldo Emerson, Buddha, Henry Ford and more.
The book is so entrenched in our cultural consciousness, it continues to inspire spin-offs for readers of all ages. Some contemporary variations are: “How to Win Friends and Influence People for Teen Girls,” “How to Win Friends and Influence People in the Digital Age” and a children’s book titled “How to Win Friends and Influence Creatures.”
If learning from the master is not enough and you also want to learn about the master, you’re in luck. Steve Watts has written a biography about Carnegie, “Self-Help Messiah,” and will be giving a talk on May 14 at the Columbia Public Library. The event will take place in the Friends Room from 7:00-8:15 p.m.
The post Classics for Everyone: How to Win Friends and Influence People appeared first on DBRL Next.
For this edition of Ask the Author, I am excited to introduce the library’s very own Svetlana Grobman! If you’re a regular DBRL Next reader, you may have already heard about some of her travel adventures or teared up while reading her post about how libraries can change lives.
Grobman has just published her first full-length book, “The Education of a Traitor,” a memoir describing her experience as a Jewish child coming of age in Russia during the height of the Cold War. The book has been described as “An intimate look at a young woman’s struggle to find her own truth in a repressive society.”
DBRL: In “The Education of a Traitor” you tell of your fear and painful sense of isolation as a child. How much of this fear and pain do you think arose from the prejudice you felt growing up Jewish in an anti-Semitic country, and how much from a family life that might be considered dysfunctional by present-day American standards?
SG: The sense of isolation came from both sources, but it was the society that did most of the damage. As for my family, growing up I never thought about it as dysfunctional. Even now I believe that we were a very average family for that time and place. On the bright side, feeling lonely made me a voracious reader.
DBRL: So much of this memoir is vividly told, with compelling details of touch and smell and taste. Considering how many years have passed and how distant you are now, geographically, from your childhood in Russia, why do you think these sensory memories stayed with you?
SG: I think that children feel more acutely than adults, taste wise especially. That’s why children like bland food, and as we age, we need more and more spices. Also, nothing smells as good as it did when you were a child. For example, I planted a lilac tree in my American yard, but it just is not as fragrant as the lilacs from my childhood – or that’s how I feel.
Another thing about children is that the sense of fairness is ingrained in their psyche. As adults, we no longer expect things to be always fair. We have seen so much unfairness in our lives that we no longer react to it as strongly as we used to. This is not the case with the children. To them, things that are “unfair” really traumatize them. On top of that, children have no power to change things. This by itself is enough to feed your worst memories.
Also, there is this about memory. As we age, things no longer come to us in chronological order. What we remember the most are the things that shocked or pleased us the most. The rest fades into the background.
DBRL: Your book relates the many ways schoolchildren and the public were indoctrinated to believe in Soviet superiority in all matters. When did you first begin to suspect this wasn’t true?
SG: There’s one story in my book called “The Young Pioneer.” That story is one of the examples of brainwashing school children into believing that nothing is more important than their country and its morals – not even their families. That story stuck in my mind because that was the first time I, then 9 years old, realized this cannot be true, at least not to me. My family was more important to me than my country, although, at that time, I believed that the reason for that was my personal weakness.
Later, I began paying attention to the messages of our mass media, which were strikingly different from my everyday experiences. For example, our agriculture was “the best” in the world, but we had to import wheat and other products from abroad. Our textile industry was doing great, but the only clothes I saw in the stores were dowdy, etc. It happened slowly, but by the time I turned 13, I had no doubt that everything that the Soviet regime told us was a lie.
DBRL: Can you comment on your choice of title for your memoir?
SG: I’ve been called a traitor several times in my life. The first time, it was my school principal. He called me a traitor because I wanted to transfer to another school. Later on, when I finally decided to leave Russia, many people called me that: people at work, neighbors and especially Soviet officials. In this country, a person can decide to live anywhere she wants, but in Russia in those days, it was considered to be a treacherous act. So, this is the origin of my book title.
DBRL: Have you read any good books recently that you would like to recommend to our readers?
SG: I am a non-fiction reader by far. Just recently, I ‘discovered’ Beryl Markham’s “West With the Night,” which, apparently, impressed even Hemingway. When I read fiction, I mostly go for historical fiction, like “The Greater Journey” by David McCullough, “The Aviator’s Wife” by Melanie Benjamin, etc. However, I just recently read “A Man Called Ove” by Fredrik Backman, and I’d definitely recommend it.
Don’t miss Svetlana’s author talk on Thursday, May 7th at 7 p.m. in the Friends Room at the Columbia Public Library. There will be copies of her book available at the event for purchase and signing. You can also buy a physical copy or an ebook on Amazon. If you can’t make it to her talk on May 7th, be sure to visit her website to find out about her other events.
The post Ask the Author: An Interview With Svetlana Grobman appeared first on DBRL Next.