Next Book Buzz
There’s been a lot of controversy lately about adults reading young adult fiction (YA). Many argue that adults should be ashamed for reading books written for children, while others say it shouldn’t matter. If you enjoy reading YA, that’s all that’s important. I have to agree with the latter argument. Telling adults they should be ashamed to read YA is absurd, but then again, telling anyone they should be ashamed to read ANYTHING is absurd!
Sure, YA books are novels aimed at readers aged 12 to 19, but YA is more than that. Many books for teens are written in a style meant to keep these readers engaged, and thus much of YA is full of more direct language, faster pacing, action scenes and emotional turmoil. These features appeal to many people (not just teens!!) because of the other media they love with similar plots or pacing – movies, TV shows, Twitter and Instagram.
Enjoying this style of book isn’t just something teens can do. Everyone can.
Now, that being said, I don’t think the classics are dead, or adults should read only YA. That’s also crazy talk. Everything has its place and time. Everything is important to someone. But should an adult feel ashamed for not wanting to be bogged down with what they might see as superfluous language or ambiguous endings? Hardly. Everyone has their preferences.
If you have read YA fiction and thought it was immature, then maybe you haven’t read enough YA. Just like in any genre or category of books, there is the good, the bad, the ugly and the beautiful. You can’t judge an entire type of book based on one work, or even two.
My series of YAFA posts will suggest YA books that will, I hope, appeal more to adult readers. And they won’t be books already enjoying big buzz like “The Hunger Games” or “The Fault in Our Stars.” Here is my first recommendation.
“Grave Mercy” by Robin LaFevers
“Grave Mercy” is a historical fantasy. It follows Ismae, a daughter of Death, as she trains to become an assassin. When the Duchess is killed, Ismae must pretend to be Gavriel Duval’s mistress and hope to find the truth behind what happened. Used to always having Death on her side, Ismae must question everything she’s learned and save the soon-to-be Duchess Anne’s life.
Full of political intrigue, historical references and a mature love interest, “Grave Mercy” has more adult elements than teen ones. Ismae sounds like a narrator above her years, and LaFevers’ language is beautifully balanced, descriptive yet direct. Longer than the average YA, “Grave Mercy” is the first in a trilogy. Each book follows a different daughter of Death. “Dark Triumph” is book two (also amazing!), and book three is yet to be released, titled “Mortal Heart.” (I have it on hold!)
No matter what anyone says, if you enjoy reading something, no matter what it is, be happy and READ!
Our first Better Know a Genre post was in the realm of nonfiction. In this installment, we turn our attention to fiction. Earlier this year, I read “Annihilation,” the first book in Jeff VanderMeer’s wonderfully unsettling Southern Reach Trilogy. At just over 200 pages, it was a slight book, but it lingered in my mind for many weeks. I did a little research and discovered that this book was in a genre known as “weird fiction.” I was excited to learn that not only did this genre have a name, but also that it contained some of my favorite authors. I liked weird fiction and hadn’t even known it!
So what is weird fiction? As one would guess from its name, it is unusual. Before we (society) had genres, we just had stories, and some of these stories had ghosts and vampires and swamps and mysterious deaths, but they were still just stories. Later, we (publishers) had to make it easier for readers to distinguish among all the possible books to purchase, and genres became established.
H.P. Lovecraft, a famous and early writer of weird fiction, wrote that these stories have a “certain atmosphere of breathless and unexplainable dread.” These are not traditional ghost stories, but they do have a supernatural element. The stories can be horrific, but they are often psychologically terrifying instead of gory or violent. The stories are different from science fiction because they do not contain the world building that is present in much of sci-fi. The setting is often our world (or something very close to it). There might be a tentacle or two.
If you are like me, you probably have read some weird fiction and not even realized it. Edgar Allan Poe, Daphne du Maurier, Franz Kafka, Shirley Jackson and Ray Bradbury have all contributed unsettling tales to the genre. The aforementioned Jeff VanderMeer is considered one of the foremost writers of the New Weird – a recent resurgence in weird fiction. He and his wife, Ann VanderMeer, are editors of “The New Weird,” an anthology containing some of the most recognized authors of the genre. You could start there, or you could jump in with a single author. Pick up a novel by China Mieville, or take our gentleman’s recommendation and check out Kelly Link’s short story collections. As Jeff and Ann VanderMeer write in the introduction to the anthology, “Because The Weird is as much a sensation as it is a mode of writing, the mostly keenly attuned among us will say ‘I know it when I see it,’ by which they mean ‘I know when I feel it.’”
Just as a vampire needs the blood of the living to sustain it, or a zombie needs brains, comic books might have faded from existence without the chewy, pulpy sustenance of horror stories. This same subject matter was also almost their undoing, but such are the risks when you dabble in the dark arts.
For a look at the early days of horror comics check out “The Horror! The Horror!” This collection contains numerous covers and complete horror comics from the pre-code 1950s, (before such comics were censored). Commentary and informative text provide some context for the stories.
“Action! Mystery! Thrills!” is a great look at the weird world of old comic book covers. Most of these depict scenes intended to simultaneously shock and entice you.
“The Weird World of Eerie Publications” is another fine collection of old horror comics and a history of the industry. It tells the story of the eccentric, ethically challenged and at times scary owner of Eerie Publications.
If you don’t know what a pre-code comic is, you should check out David Haju’s “The Ten-Cent Plague.” This book explores the censorship campaign against comics like those in the collections above. That campaign led to the Comics Code Authority, which many people feel hamstrung creativity in comics for decades. Even after reading some of the horror comics of the time, it’s shocking the lengths people went to stop them. This book is both a fascinating history of a moment in American pop culture and a frightening look at hysteria.
Not all horror stories are held in low esteem. More than a few are now considered classics. If you’d like to look a little more highbrow while scaring yourself with comics, pick up a graphic novel adaptation of “Dracula,” “Frankenstein” or the works of H.P. Lovecraft.
Richard Sala’s style shows the influence of classic illustrators of the macabre Charles Addams and Edward Gorey. Sala has a knack for drawing grotesque caricatures that are just cartoonish and humorous enough. His stories maintain an eerie mood but still wink at the reader letting them know it’s just a comic book, right? “Delphine” is a retelling of the story of Snow White from Prince Charming’s perspective. This is based on the original fairy tale and not the Disney film, so it’s a darker story told by a master of them.
Scott Snyder currently writes Batman, but his strongest work is another series about a bat-human hybrid. “American Vampire” tells the story of a new breed of Vampire (originating in America) that can not only walk in daylight, but also is made stronger by the sun. He’s a particularly viscous vampire too. Not only does he fight with the requisite vampire hunting organization, but he also doesn’t get along well with the old-school vampires either. The series is an ongoing epic that starts in the late 19th century and sets each story arc in a different period of the 20th. It’s a new take on a classic horror trope.
“Baltimore” is another fresh take on the vampire story by novelist Christopher Golden and comic book artist and writer Mike Mignola (best known for “Hellboy“). Originally a novel co-written by the two with illustrated pages by Mignola, the character of Lord Henry Baltimore has found continued life in comics. This alternate history tells the story of an ancient race of vampires brought back to life by the blood soaked battlefields of WWI. Lord Henry Baltimore is a soldier who has a confrontation with one of these vampires during the war, which sets his life on a course for revenge.
“Dylan Dog” is Italy’s most popular comic book. It describes the adventures of the eponymous “Nightmare Investigator.” Dylan is a former Scotland Yard detective who lives with his sidekick Groucho (who looks exactly like Groucho marks and loves puns). He is also a penniless, poetry quoting hopeless romantic who can only play one song on the clarinet. In this collection of interconnected stories, Dylan deals with zombies, mad scientists and an axe murderer. It’s a quirky combination of surrealism, humor and horror, but the story is executed in a way that is sure to appeal to many.
Have you heard of “The Walking Dead“? I’ll bet you have. It’s a hugely popular television show that got its start as a comic book. If you like the show and haven’t read the comics, you should check them out. If you don’t like the show but like stories of surviving a zombie apocalypse, you should still check out the books.
“Afterlife With Archie” is indeed about the famous Archie and his hometown of Riverdale. When Jughead’s dog is hit by a car, he calls on Sabrina to bring the dog back. As is always the case (Will we never learn?!) the dog comes back wrong. Zombie contagion ensues. A lot of people would turn this idea into an easy joke or a way to mock Archie Comics. Instead, the creators take the subject seriously and use the familiarity of the characters as a way to make the story more frightening and emotionally affecting.
Perhaps all the monsters, darkness, terror and gloom have got you down at this point? Then let me end with a story of romance. This being a list for Halloween, it’s a romance involving a sea creature. In much the way John Gardner’s novel “Grendel” took the epic poem Beowulf and told the story from the monster’s point of view, “Dear Creature” takes the classic “sea monster terrorizes beach goers” story and tells it from the sea monster’s point of view. The sea monster, Grue, has been finding bottles stuffed with Shakespeare’s writings. This subdues his appetite for beach goers and kindles his romantic interest in the source of the bottles. How could anything go wrong?
This November, librarians are loving genre fiction. Maybe during these longer nights we like the comfort of familiar series or predictable plot structures. This month’s LibraryReads list, the top 10 books publishing this coming month that librarians nationwide recommend, includes a police procedural, historical romances and more than one mystery. Enjoy!
by David Nicholls
“Every once in a while you stumble upon a book that makes you wish you could meet the characters in real life. This is the case with “Us,” the poignant story of a middle-of-the-road British family spiraling out of control, and one man’s attempt to win back their love. Quirky, delightful and unpredictable, the novel delves into what makes a marriage and what tears it apart.” – Kimberly McGee, Lake Travis Community Library, Austin, TX
“Never Judge a Lady by Her Cover: The Fourth Rule of Scoundrels”
by Sarah MacLean
“Having lost her innocence in a teenage love affair, Lady Georgiana is a social pariah. Trying to save the tatters of her reputation, she must marry and marry well. By night, she is Anna, the most powerful madame in London, and a powerful seductress in her own right. Will Georgiana succeed in re-entering society, or will her past catch up with her once and for all?” - Emily Peros, Denver Public Library, Denver, CO
“Lives in Ruins: Archaeologists and the Seductive Lure of Human Rubble“
by Marilyn Johnson
“Johnson takes a fascinating look at the field of archaeology, profiling a number of archaeologists at work. She visits sites as diverse as an army base, Rhode Island, the Caribbean, the Mediterranean and Peru, but the best part of this book is learning about the archaeologists and their passions. A fun, interesting read that may cause an uptick in field school applications.” - Jenna Persick, Chester County Library, Exton, PA
And here is the rest of the list with links to our catalog, so you can place holds on these forthcoming titles.
- “The Burning Room” by Michael Connelly
- “Mortal Heart: His Fair Assassin Trilogy #3″ by Robin LaFevers
- “The Ship of Brides” by Jojo Moyes
- “The Forgers” by Bradford Morrow
- “In the Company of Sherlock Holmes: Stories Inspired by the Holmes Canon”
- “Jane and the Twelve Days of Christmas: Being a Jane Austen Mystery” by Stephanie Barron
- “Mermaids in Paradise” by Lydia Millet
The post Top Ten Books Librarians Love: The November 2014 List appeared first on DBRL Next.
There should be a word for the feeling one gets when wooed by an artist from beyond the grave. After several seconds of consideration, I propose “melanarsabsentia.” Graham Joyce gave me a severe case of melanarsabsentia. He died on September 9th, and I didn’t read him until a few days later. The first thing I read by him, a blog post in part concerning his impending death and the beauty of living, made clear his large heart, fine wordsmanship and my need to read his novels. Of course, it’s not like if I’d have read him while he was living that we would’ve gathered for snacks shared over a tedious board game, though I can’t rule it out. Regardless, there will be no yogurt-covered pretzels and monopoly for us, unless he comes back to haunt me and/or my ability to communicate with the spirit world finally manifests. If I were a character from his novels, I might very well have such a haunting, or at least my sanity might bend in such a way as to believe I’m being haunted. But as I’m a character from some other novel with no perceptible ghosts and a narrative that can’t be bothered to skip a single bathroom break or dull moment, I guess I’ll never meet Mr. Joyce. But melanarsabsentia is only just barely about the elimination of the unlikely possibility of meeting the artist; it’s more about an artist whose work deserves to be appreciated by everyone inclined to appreciate their sort of work being robbed of having such persons appreciate them while they’re still alive to appreciate it, even though the appreciation directed the artist’s way almost certainly won’t be perceivable.
“Some Kind of Fairy Tale” is sort of a kind of tale about fairies, but mostly about a family of humans. Joyce needs only a few hundred words to deeply invest you in his characters so you feel their shock when, during the novel’s opening scene, a man answers the door to find his daughter, gone missing 20 years ago, returned and not aged a day.
“The Silent Land” follows a couple who, after an avalanche during their ski trip, finds their resort empty and then the resort town empty and then that they are unable to leave the town. Their compass spins, food doesn’t rot, burning candles don’t diminish. They come to the conclusion that they’ve died in the avalanche and go about trying to make the best of a strange afterlife.
“The Ghost in the Electric Blue Suit,” renamed for the American audience from “The Year of the Ladybird” (because sharply dressed ghosts are much more rad and freedom-y than ladybirds, and what kind of tea-taxing duffer comes up with the codswallop of calling a ladybug a ladybird?), is a story about a young man who takes a summer job at a resort and is menaced by a ghost in an electric blue suit and an absurd amount of ladybugs.
Graham Joyce was a prolific writer, and Daniel Boone Regional Library carries several of his works. He wrote the sort of novels you might suspect from someone who, as a child, was advised by his reluctantly psychic grandmother to simply cuss out a ghost if one ever gave him trouble. It should be common knowledge that ghosts cannot abide a coarse tongue and will peacefully leave upon encountering one. If Joyce’s ghost shows up, I plan to speak bloody politely.
“Jack the Ripper Murders Solved!” “Identity of Jack the Ripper Proven by DNA Evidence!” For a couple of days, I saw headline after headline proclaiming the serial murder case that has befuddled investigators for more than 120 years had finally been cracked by modern forensics. This flurry of discussion was prompted by the publication of a new book, “Naming Jack the Ripper” by Russell Edwards, a London history buff who came into possession of a shawl worn by one of the victims. He claims some DNA left on the material matches the DNA of a descendant of Aaron Kosminski, a London hairdresser and long-time resident on the suspect list. Additionally, Edwards quotes a detective who worked the case as saying he believed Kosminski was the culprit. Case closed. Right?
Soon enough articles started popping up, saying, in essence: “Not so fast.” They point out that even if the DNA is Kosminski’s, it doesn’t mean he killed the owner of the shawl, only that he had some contact with it. Maybe he sneezed on it while standing next to her. Then, too, the garment has changed hands many times. A lot of people have handled it over the years. And Edwards is not the first person to have “named” the killer.
There’s an “Autobiography of Jack the Ripper,” published from a purportedly found manuscript, penned in 1920, containing the author’s recollections of the time in his life when he was on a murder spree. Or possibly it’s an anonymously-written work of historical fiction. Or an outright hoax. The book includes notes – some skeptical – by Paul Begg, who has made a career of writing about the case.
Patricia Cornwell, known primarily for fictional crime stories, tried her hand at solving the real-life mystery a few years ago. She, too, thought she’d solved the old case using contemporary techniques. In her 2003 book “Portrait of a Killer,” she concludes the guilty party was an artist named Walter Sickert. Her case hinges on “the successful use of DNA analysis to establish a link between an envelope mailed by the Ripper and two envelopes used by Sickert.” Well then.
It seems everyone claims proof of the murderer’s real identity, but in each case it’s a different person. In 2011, the Whitechapel Society – named for the area in which the murders took place, and devoted to investigating the crimes and their surrounding social context – published a book compiling the cases for and against several suspects. “Jack the Ripper, the Suspects” mentions Cornwell’s book and addresses some of its points directly. In the chapter on Kosminski, they speculate one of the reasons he drew so much focus from detectives was because of a tendency in the police department at that time toward anti-Semitism. Beyond speaking about suspects and evidence, this book explains some of the societal factors at play that made the investigation of the case difficult. The only conclusion I was able to draw was that we might never know the truth.