Next Book Buzz
There should be a word for the feeling one gets when wooed by an artist from beyond the grave. After several seconds of consideration, I propose “melanarsabsentia.” Graham Joyce gave me a severe case of melanarsabsentia. He died on September 9th, and I didn’t read him until a few days later. The first thing I read by him, a blog post in part concerning his impending death and the beauty of living, made clear his large heart, fine wordsmanship and my need to read his novels. Of course, it’s not like if I’d have read him while he was living that we would’ve gathered for snacks shared over a tedious board game, though I can’t rule it out. Regardless, there will be no yogurt-covered pretzels and monopoly for us, unless he comes back to haunt me and/or my ability to communicate with the spirit world finally manifests. If I were a character from his novels, I might very well have such a haunting, or at least my sanity might bend in such a way as to believe I’m being haunted. But as I’m a character from some other novel with no perceptible ghosts and a narrative that can’t be bothered to skip a single bathroom break or dull moment, I guess I’ll never meet Mr. Joyce. But melanarsabsentia is only just barely about the elimination of the unlikely possibility of meeting the artist; it’s more about an artist whose work deserves to be appreciated by everyone inclined to appreciate their sort of work being robbed of having such persons appreciate them while they’re still alive to appreciate it, even though the appreciation directed the artist’s way almost certainly won’t be perceivable.
“Some Kind of Fairy Tale” is sort of a kind of tale about fairies, but mostly about a family of humans. Joyce needs only a few hundred words to deeply invest you in his characters so you feel their shock when, during the novel’s opening scene, a man answers the door to find his daughter, gone missing 20 years ago, returned and not aged a day.
“The Silent Land” follows a couple who, after an avalanche during their ski trip, finds their resort empty and then the resort town empty and then that they are unable to leave the town. Their compass spins, food doesn’t rot, burning candles don’t diminish. They come to the conclusion that they’ve died in the avalanche and go about trying to make the best of a strange afterlife.
“The Ghost in the Electric Blue Suit,” renamed for the American audience from “The Year of the Ladybird” (because sharply dressed ghosts are much more rad and freedom-y than ladybirds, and what kind of tea-taxing duffer comes up with the codswallop of calling a ladybug a ladybird?), is a story about a young man who takes a summer job at a resort and is menaced by a ghost in an electric blue suit and an absurd amount of ladybugs.
Graham Joyce was a prolific writer, and Daniel Boone Regional Library carries several of his works. He wrote the sort of novels you might suspect from someone who, as a child, was advised by his reluctantly psychic grandmother to simply cuss out a ghost if one ever gave him trouble. It should be common knowledge that ghosts cannot abide a coarse tongue and will peacefully leave upon encountering one. If Joyce’s ghost shows up, I plan to speak bloody politely.
“Jack the Ripper Murders Solved!” “Identity of Jack the Ripper Proven by DNA Evidence!” For a couple of days, I saw headline after headline proclaiming the serial murder case that has befuddled investigators for more than 120 years had finally been cracked by modern forensics. This flurry of discussion was prompted by the publication of a new book, “Naming Jack the Ripper” by Russell Edwards, a London history buff who came into possession of a shawl worn by one of the victims. He claims some DNA left on the material matches the DNA of a descendant of Aaron Kosminski, a London hairdresser and long-time resident on the suspect list. Additionally, Edwards quotes a detective who worked the case as saying he believed Kosminski was the culprit. Case closed. Right?
Soon enough articles started popping up, saying, in essence: “Not so fast.” They point out that even if the DNA is Kosminski’s, it doesn’t mean he killed the owner of the shawl, only that he had some contact with it. Maybe he sneezed on it while standing next to her. Then, too, the garment has changed hands many times. A lot of people have handled it over the years. And Edwards is not the first person to have “named” the killer.
There’s an “Autobiography of Jack the Ripper,” published from a purportedly found manuscript, penned in 1920, containing the author’s recollections of the time in his life when he was on a murder spree. Or possibly it’s an anonymously-written work of historical fiction. Or an outright hoax. The book includes notes – some skeptical – by Paul Begg, who has made a career of writing about the case.
Patricia Cornwell, known primarily for fictional crime stories, tried her hand at solving the real-life mystery a few years ago. She, too, thought she’d solved the old case using contemporary techniques. In her 2003 book “Portrait of a Killer,” she concludes the guilty party was an artist named Walter Sickert. Her case hinges on “the successful use of DNA analysis to establish a link between an envelope mailed by the Ripper and two envelopes used by Sickert.” Well then.
It seems everyone claims proof of the murderer’s real identity, but in each case it’s a different person. In 2011, the Whitechapel Society – named for the area in which the murders took place, and devoted to investigating the crimes and their surrounding social context – published a book compiling the cases for and against several suspects. “Jack the Ripper, the Suspects” mentions Cornwell’s book and addresses some of its points directly. In the chapter on Kosminski, they speculate one of the reasons he drew so much focus from detectives was because of a tendency in the police department at that time toward anti-Semitism. Beyond speaking about suspects and evidence, this book explains some of the societal factors at play that made the investigation of the case difficult. The only conclusion I was able to draw was that we might never know the truth.
Themes of dystopia and survival in a post-apocalyptic world run heavy through popular fiction. Readers have ventured into The Hunger Games series, which presents a world in which children must participate in a televised fight to the death. Max Brooks’ “World War Z” examines the chaos that would erupt under a worldwide threat such as a zombie invasion. Even older novels, such as Stephen King’s “The Stand,” give readers the chance to ponder “what if?” from the comfort and safety of their own non-apocalyptic world.
“The Road” by Cormac McCarthy is another tale in the apocalyptic, dystopian sphere. McCarthy’s story follows a man and his young son as they venture through a barren, desolate wasteland on a journey to the ocean. What exactly happened to the land they venture through is never stated, but I think one can surmise. And in the end it’s not really important how this terrible thing happened – something bad occurred that made life on the planet mostly unlivable. A few people have managed to survive, but doing so has often meant living by unspeakable means.
The father and son’s journey is fascinating, but what really drew me in is their relationship. Throughout their perilous travels, the two share many discussions about life, often centering around the question of what it means to be good or bad. These talks allow McCarthy to flesh out the two characters, allowing readers to connect with and get to know them better. The father clearly adores the boy, doing everything in his power to keep the child safe and secure. And the boy loves this man who has served as his guide and protector. At one point in the book, McCarthy sums up their relationship perfectly, describing the pair as being “each other’s world entire.” In many ways, their love for each other is the only good thing remaining in their world.
McCarthy uses a sparse, poetic writing style. This makes the novel fairly compact, but it still packs quite a punch. I listened to the audiobook version, which is narrated by Tom Stechschulte. He is a masterful reader, jumping from the voice of the man to the voice of the child with apparent ease. The story moved me deeply; I’d be lying if I did not admit that this story is often incredibly sad. But it is also one of the most hopeful stories I’ve read because of McCarthy’s exploration of the bonds of love and family and how they can manage to survive even in a world that has been burnt down to little more than ashes.
We have a bit of a One Read hangover around here. After spending an intense month exploring Daniel James Brown’s “The Boys in the Boat” through numerous programs celebrating Olympic sport and the American spirit, we find ourselves feeling a little bit down and a little adrift. What next? If you are in the same boat (ha, ha), here are some reading suggestions to fill that One Read-shaped hole in your life.
A no-brainer read-alike for this year’s community read is “Seabiscuit” by Laura Hillenbrand. Also set during the depression, this work of nonfiction is another inspiring look at an unlikely winner, a racehorse that made history despite his short legs and knobby knees.
Many of our readers surprised themselves by not only enjoying the moving story of Joe Rantz but also becoming deeply curious about the sport of rowing. In “The Amateurs,” David Halberstam profiles the struggles of four unknown young men who compete to represent the U.S. as its lone single sculler in the 1984 Olympics. Like in Brown’s book, the athletes’ stories and descriptions of their singular dedication make for compelling reading, as do richly described rowing competitions. While not rowing-related, Halberstam’s “The Teammates” – which follows the friendship of Boston Red Sox teammates Ted Williams, Bobby Doerr, Dom DiMaggio and Johnny Pesky from their playing days in the 1940s to Ted Williams’ death in 2002 – would also be a great choice for sports fans.
Maybe you loved how Brown wove extensive research into his book. You may find other works of historical narrative nonfiction appealing. Like Brown, Lawrence Goldstone uses extensive research in “Birdmen: The Wright Brothers, Glenn Curtiss, and the Battle to Control the Skies” to present Orville and Wilbur Wright and their rival as complex and fully-formed characters. Goldstone weaves the history of aviation into his narrative and creates a palpable sense of the spirit of innovation that infused the dawn of the 20th century.
What works of narrative nonfiction would you recommend? Let us know in the comments.
It’s nearly October. The days grow shorter and the temperatures colder. Halloween is on the horizon. So it seems appropriate that a ghost story of sorts tops this month’s LibraryReads list, the top 10 books publishing this month that librarians love. Make a cup of hot tea, curl up under your favorite blanket and lose yourself in one of these titles.
“A Sudden Light“
by Garth Stein
“Garth Stein has given us a masterpiece. This beautiful story takes readers on a thrilling exploration of a family estate brimming with generations of riveting Riddell family ghosts and secrets. This is a true exploratory novel, taking readers through secret passageways, hidden rooms and darkened corridors that engage all of the senses.”
- Whitney Gayle, James Blackstone Memorial Library, Branford, CT
by Jodi Picoult
“Leaving Time is a love story – love between mother and child, love between soulmates and love between elephants. The story is told from a variety of narrators, all of whom are broken and lost. Jenna is searching for answers to the disappearance of her mother and seeks the help of a retired police detective and a psychic. Alice, Jenna’s mom, disappeared after a tragic accident at the elephant sanctuary, and her work with the elephants is fascinating and touching. The book is an ode to motherhood in all its forms – the good, bad and the ugly – and it is brilliant.”
- Kimberly McGee, Lake Travis Community Library, Austin, TX
“As You Wish: Inconceivable Tales from the Making of the Princess Bride“
by Cary Elwes with Joe Layden
“Even if you don’t have a crush on Cary Elwes, you’ll enjoy this vivid behind-the-scenes account of the making of The Princess Bride. His stories, especially those involving Andre the Giant, will leave you in stitches. Robin Wright, Mandy Patinkin, Billy Crystal and others also recount their experiences. An amusing account of a group of performers who came together to make a heartfelt film that is loved by many.”
- Emily Weiss, Bedford Public Library, Bedford, NH
Here’s the rest of the October list with links to these on-order titles in our catalog for your hold-placing pleasure. Happy reading.
- “Not My Father’s Son: A Memoir” by Alan Cumming
- “Some Luck” by Jane Smiley
- “The Boy Who Drew Monsters” by Keith Donohue
- “The Life We Bury” by Allen Eskens
- “Reunion” by Hannah Pittard
- “Malice” by Keigo Higashino; translated by Alexander O. Smith
- “Murder at the Brightwell” by Ashley Weave
The post Top Ten Books Librarians Love: The October 2014 List appeared first on DBRL Next.
I like to think of Maya Angelou as a native Missourian, although she spent only a small percentage of her life in the state. She was born in St. Louis in 1928 with the name Marguerite Anne Johnson. Upon the break-up of her parents’ marriage when she was three years old, she and her older brother Bailey were sent to live with their paternal grandmother in Stamps, Arkansas.
This is where her story begins in the memoir “I Know Why the Caged Bird Sings.” The most well-known of her books, it follows her life through the age of 17, ending with the birth of her son. She shared more about her remarkable life in subsequent volumes, conducting readers on a tour of the circuitous route that led to her achievements as an author, poet, performer, activist and San Francisco’s first black streetcar conductor. It’s a truly American story: a scared little girl feeling abandoned by her parents grows up to present an inaugural poem for one president and receive the Presidential Medal of Freedom from another.
But some details show less pleasant aspects of the country, including troubled race relations. Angelou describes her grandmother’s worried anguish when by-then teenaged Bailey fails to come home on time. “The Black woman in the South who raised sons, grandsons and nephews had her heartstrings tied to a hanging noose.”
Maya and Bailey found themselves shuttled back and forth a few times among parents and grandparents. It was during their second St. Louis sojourn that one of the most disturbing events of the book happened – 8-year-old Maya was raped by her mother’s boyfriend. The child stopped speaking to anyone but her brother. But after they returned to Arkansas, something inspiring occurred. Her grandmother’s neighbor and friend, Mrs. Bertha Flowers, helped her regain her voice through the power of literature, inviting the girl to read great books with her.
Eventually Maya’s parents both migrated to California, and the two kids followed. This is where the story wraps up, but not before some major learning and growth on Maya’s part, including a short stint as a runaway living on the streets. She fell in with a group of other homeless teens, who provided her first experience of true cooperation and equality among different races. The influence was lasting, and her words about it seem like a good place to conclude, as they describe so much of her life’s work: “After hunting down unbroken bottles and selling them with a white girl from Missouri, a Mexican girl from Los Angeles and a Black girl from Oklahoma, I was never again to sense myself so solidly outside the pale of the human race. The lack of criticism evidenced by our ad hoc community influenced me, and set a tone of tolerance for my life.”
B.J. Novak has been somewhat active: from his humble beginnings as the cad Ryan Howard, subject of the hit hundred-hours-long documentary “The Office,” to the trials associated with choosing his favorite initials and legally changing his name to them in a futile attempt to exercise his awful reputation, to writing a collection of stories that are good enough to almost make one forget how mean he was to Kelly and Jim, to being recommended by this blog post. It’s enough to make me of a mind to recline with a nice pastry and a warmed washcloth.
Consisting of 64 pieces, the collection opens with the long-awaited sequel to “The Tortoise and the Hare,” which finally puts that pompous tortoise in its place and updates the original’s creaky old moral, and closes with “Discussion Questions,” which will be a nice jumping off point for your book club or master’s thesis. In between we get a man dealing with the fame associated with returning a sex robot because it fell in love with him. We finally learn the truth about Elvis Presley’s death (and a little about ourselves!). Nelson Mandela gets roasted by Comedy Central and its usual cast of ribald hacks. A boy wins a cereal box sweepstakes only to be ruled ineligible because it turns out his real father is Kellogg’s CEO. A woman goes on a blind date with a warlord. In “No One Goes to Heaven to See Dan Fogelberg,” a man reaches heaven and enjoys a series of concerts performed by history’s greatest musicians until backstage access at a Frank Sinatra show reveals a different side of his grandmother. One story is called “Wikipedia Brown and the Case of the Missing Bicycle.”
If a book has 64 pieces and is still light enough for my dandy-ish arms to lug around from my fainting couches to the snack emporium to my sleep chamber to my eating pit, then many of the stories must be very brief indeed. To show you how my arms, weakened by a life of near-constant lounging, could possibly carry ANYTHING with 64 of something in it, I will reprint one story in its entirety:
Romance, Chapter One
“The cute one?”
“No, the other cute one.”
“Oh, she’s cute too.”
There are several pieces of this sort. There’s stuff here that will please fans of Internet sensation “The Onion,” and there is stuff that will make you hungry for other foods too. There is more than comedy and absurdity here, sometimes things get downright philosophical and/or sad, like when the lovelorn sex robot tries to keep her beloved in the room with her with the promise of needing to say just “one more thing.” Sometimes it’s sad and funny, like the absurd “Missed Connection” ad posted by someone who most definitely “connected” with the intended reader over the course of many hours.
Mr. Novak wrote a really nifty book, and I’m so excited to see what he does next that I’ve fainted twice in the course of typing this sentence and so will cut it short, as I’m nowhere near the appropriate furniture, before a third spell happens upon me.
She was sassy, opinionated, brash, self-deprecating, raunchy, offensive and funny. Joan Rivers passed away last week at the age of 81, and her death has left me thinking about both her signature brand of stand-up and the female comedians who have followed in her wake. Her daughter, Melissa Rivers, said in a statement, “My mother’s greatest joy in life was to make people laugh. Although that is difficult to do right now, I know her final wish would be that we return to laughing soon.” Here are some books from Rivers and her cohort to help us fulfill that wish.
“We Killed: The Rise of Women in American Comedy” by Yael Kohen.
This oral history presents more than 150 interviews from America’s most prominent comediennes (and the writers, producers, nightclub owners, and colleagues who revolved around them) to piece together the revolution that happened to (and by) women in American comedy. Kohen traces the careers and achievements of comediennes – including Rivers – and challenges opinions about why women cannot be effective comedic entertainers.
“I Hate Everyone – Starting With Me” by Joan Rivers
Read this with a cocktail in hand. Rivers humorously lashes out at the people, places and things she loathes, including ugly children, dating rituals, First Ladies, funerals, hypocrites, overrated historical figures, Hollywood and lousy restaurants.
“Enter Talking” by Joan Rivers
Joan Rivers describes her bitter and bizarre rise to stardom, from her earliest memories that she belonged onstage, through her independent struggle in Manhattan, to the evolution of her one-person show and the winning of public and critical acclaim.
“The Bedwetter: Stories of Courage, Redemption, and Pee” by Sarah Silverman
Comedian Silverman’s memoir mixes showbiz moments with the more serious subject of her teenage bout with depression as well as stories of her childhood and adolescence.
“Is Everyone Hanging Out Without Me? (and Other Concerns)” by Mindy Kaling
The writer and actress best known as Kelly Kapoor on “The Office” shares observations on topics ranging from favorite male archetypes and her hatred of dieting to her relationship with her mother and the haphazard creative process in the “Office” writers’ room.
“Seriously, I’m Kidding” by Ellen DeGeneres
For those who like their humor to be cleaner than what Rivers delivers. The stand-up comedian, television host, bestselling author and actress candidly discusses her personal life and professional career and describes what it was like to become a judge on “American Idol.”
Editor’s note: book descriptions adapted from publishers’ marketing text.
On a recent day trip to the Omnimax theater at the St. Louis Science Center to see a film about D-Day, my father-in-law commented on how things might be now if Germany won the war. His comment struck a chord, reminding me of a book that I had recently learned of – C.J. Sansom’s alternate history, “Dominion.” This alternative history imagines a world in which World War II has not occurred.
Great Britain, still reeling from the war torn years of WWI, finds itself under the leadership of Lord Halifax rather than Winston Churchill. This single act drastically changes the world that would have been had WWII been allowed to play out. Author C.J. Sansom sets “Dominion” in the early 1950s, over a decade after a 1940 truce between the two nations. Great Britain now finds itself more and more under the control of its Fascist alli. During that decade, European Jews and now British Jews are gathered and shipped off to camps, under the guise of separating the races. In fact, they are being exterminated, as Nazis attempt to create a “pure” empire.
Sansom focuses his story on the growing resistance movement that fights relentlessly to overthrow the German regime that has infiltrated Great Britain. He follows David, a civil servant, who also happens to be working as a spy for the resistance; Sarah, David’s wife, and a pacifist; Frank, a college friend of David’s who holds a secret the Nazis will kill to get their hands on; and Gunther, the SS officer sent to capture Frank. “Dominion” is told from their various perspectives.
I loved the depth brought to the story as its perspective moved back and forth between these rich and compelling characters. Sansom’s research is also highly evident, particularly in his notes section at the book’s end. So although this is an alternative history, it is chock full of people who did exist. Sansom even incorporates other aspects of history into the story that add to its realism. For example, he includes a true fog event that occurred during the very time period during which the novel is set, which ultimately impacts the events that occur within the novel. Sansom’s extensive research truly creates a world that could have existed if the events of 1940 had gone differently.
“Dominion” is a great read for anyone who loves a thriller, but readers of historical fiction may find it satisfying as well thanks to all the research and real history found throughout the story. And for those of us who enjoy learning about history, but also enjoy pondering “what if,” it is certainly a book that does not disappoint. (And for those who are intrigued by the idea of reading alternative histories, the library owns several beyond this title. Check out some that you may enjoy reading by browsing our catalog.)
September is upon us! Time to get serious and hit the books. This month’s list of recommended titles from LibraryReads leaves behind the lighter fare of summer and includes some heavy-hitting literary fiction, as well as a book that stares death in the face. Here are the top 10 books being published in September that librarians love.
“Smoke Gets in Your Eyes: And Other Lessons from the Crematory“
by Caitlin Doughty
“Part memoir, part exposé of the death industry, and part instruction manual for aspiring morticians. First-time author Doughty has written an attention-grabbing book that is sure to start some provocative discussions. Fans of Mary Roach’s ‘Stiff’ and anyone who enjoys an honest, well-written autobiography will appreciate this quirky story.”
– Patty Falconer, Hampstead Public Library, Hampstead, NH
by Emily St. John Mandel
“An actor playing King Lear dies onstage just before a cataclysmic event changes the future of everyone on Earth. What will be valued and what will be discarded? Will art have a place in a world that has lost so much? What will make life worth living? These are just some of the issues explored in this beautifully written dystopian novel. Recommended for fans of David Mitchell, John Scalzi and Kate Atkinson.”
– Janet Lockhart, Wake County Public Libraries, Cary, NC
“The Secret Place“
by Tana French
“French has broken my heart yet again with her fifth novel, which examines the ways in which teenagers and adults can be wily, calculating and backstabbing, even with their friends. The tension-filled flashback narratives, relating to a murder investigation in suburban Dublin, will keep you turning pages late into the night.”
– Alison McCarty, Nassau County Public Library System, Callahan, FL
And here is the rest of the list with links to our catalog so you can place holds on these on-order titles.
- “Rooms” by Lauren Oliver
- “The Children Act” by Ian McEwan
- “The Distance” by Helen Giltrow
- “Horrorstor” by Grady Hendrix
- “The Paying Guests” by Sarah Waters
- “The Witch with No Name” by Kim Harrison
- “Season of Storms” by Susanna Kearsley
The post Top Ten Books Librarians Love: The September 2014 List appeared first on DBRL Next.
Genetic modification is a hot topic, and not just because of the literal heat harbored by pumpkins inexplicably modified to cast horrifying, fiery glares our way every October. There are pluses, like massive potatoes capable of feeding dozens, talking to you when you’re lonely and even playing a competent game of checkers. Perhaps you give birth to Siamese twins with a gift for playing piano. There are minuses though, besides hateful pumpkins and repeatedly losing to a potato at checkers. Maybe you birth a child with flippers for limbs and a predilection for starting popular cults that mandate the removal of one’s own appendages. Also, as gene tampering becomes rampant, people will grow weary of picking their future children’s hair colors and which professional sport they will play. Parents will long for the days when, if you didn’t like your child’s hair, you simply shaved them bald, and if you wanted them to excel at sport, you were forced to mercilessly prod them until their vertical leaps were satisfactory.
While the profile of genetic shenanigans grows with every neon-blue tomato on our plates and Robocop on our streets, people have been obsessed with genes since the first bald man looked scornfully at his father’s bountiful locks. And 25 years ago, Katherine Dunn tapped into this obsession and combined it with another topic constantly on the minds of modern humans (travelling freak shows) into one gloriously deformed firecracker of a novel.
“Geek Love” is narrated by Olympia, a hunchback albino dwarf, member of her parents’ lucrative freak show and product of her parents’ crude attempts to modify DNA for profit. Her parents, Aloysius and Crystal Lil, used drugs, insecticides and radioactive stuff to conjure strange fruit from the womb. Oly’s older brother, Arturo, is the aforementioned flipper-limbed, cult leader. Electra and Iphigenia are the Siamese piano dynamos. Fortunato is the youngest, a seemingly normal child nearly abandoned for his uselessness until his telekinetic powers manifested themselves.
The novel jumps between two eras. One covers Oly’s childhood with the carnival and the familial strife, much of it conjured by Arty and his cult of Arturism. The other era features Oly taking care of a mother who doesn’t know who she is, perhaps in part because of the radiation and insecticides, and stalking a daughter who doesn’t know who she is because Oly gave her to some nuns when she was a baby. The twin narratives race along like the most awesome and lengthy roller coaster ever, and you’ll leave the tracks dazed, queasy, having lost your sunglasses and ready to get in line for the next Katherine Dunn novel, which doesn’t yet exist as the author spends much of her time using her boxing knowledge to fend off muggers.
The reader should be warned, in addition to the reckless gene doctoring, there is content not for the faint-hearted: telekinetic pickpocketing, attempted murder, a human with a tail, murder, unnecessary amputations and, depending on how you define it, incest. But if you like words and watching someone bite the head off of a live chicken, this may be your new favorite novel.
“True Grit,” by Charles Portis, is a book that defies genrefication. It’s an American adventure semi-western coming-of-age dramatic comedic fictional memoir. The narrator is Arkansas resident Mattie Ross, speaking as an older woman, recalling the time in the 1870s when she was 14 years old and set out to capture her father’s killer, a man named Tom Chaney.
Much of the entertainment value, the thing that keeps me re-reading certain passages, stems from Mattie’s voice, which Portis has crafted perfectly. Mattie holds firm convictions about how things should be. Her love language is legal representation. She freely offers the assistance of her family attorney to those she respects. Her liberties with the lawyer’s services extend to forging his signature on her own letter of identification. Early on she says “If you want anything done right you will have to see to it yourself every time.” This philosophy compels her to carry her father’s war pistol and accompany Marshall Reuben (Rooster) Cogburn, the man she has hired to track Chaney, on his manhunt in Choctaw territory, where Chaney has fallen in with a group of outlaws.
Rooster Cogburn is described by another character in these words: “a pitiless man, double-tough, and fear don’t enter into his thinking. He loves to pull a cork.” But later events show he is not entirely without pity, especially when it comes to Mattie. And she is not entirely inflexible, making allowances for Rooster’s cursing, drinking and the fact that he himself once fled parole in Kansas. Unlike Mattie, Rooster thinks more in terms of how things are than how they ought to be. His catch phrase is “That is the way of it.” Despite their differences, Rooster and Mattie often bring out the best in each other.
But there is a third member of the party who can rile both of them, a dandy of a Texas Ranger named LaBoeuf (pronounced “LaBeef”). Chaney is also wanted in Texas for killing a senator, and there is a substantial reward involved. LaBoeuf has been after the killer for some time, but it’s unclear whether the ranger is motivated more by money or pride. His magnificent spurs – a symbol of his self-image – are mentioned multiple times.
As the trio closes in on the gang of ne’er-do-wells, the action becomes ever more thrilling. Each one of the three protagonists is required to dig deep into their reserves of courage, loyalty and, of course, grit. As in all good fiction, nothing comes without sacrifice. Mattie, especially, pays a large price for what she’s gained.
If you’ve been meaning to get around to reading “True Grit,” take heed of the older Mattie’s words: “Time just gets away from us.” Buckle down and get to it.
Review of the Seven Deadly Sins Mystery Series, by Anne Zouroudi
Some mysteries, especially those of the “cozy” persuasion, move at a leisurely, describe-every-parasol-and-moustache pace. This generally does not work for me. Forget the stage-dressing, give me lots of action and witty repartee, and wrap it up with a clever solution in under 300 pages, and I’ll be your fangirl. Otherwise, it’s the nearest book drop for you, Cozy Author.
But it seems I’m becoming a kinder, gentler mystery reader. To my surprise, I just finished the fourth book in the Seven Deadly Sins series – a set of strangely hypnotic mysteries with a pace that can only be described as glacial.
This is largely due to the mellow, tortoise-like demeanor of the central character, Hermes Diaktoros, referred to throughout the series as “the fat man.” We never learn much more about Diaktoros, other than that he’s Greek, meticulous about his appearance (especially about his trademark white sneakers), and mysteriously well-off and well-connected. It also soon becomes clear that he’s very, very observant and just about fearless.
The fat man meanders around the Mediterranean doing – well, we’re often not quite sure what he’s doing. Righting vague interpersonal wrongs? Investigating crimes that no one else wants solved? He sits in cafes, takes long, leisurely walks, asks the locals odd questions and collects things in tiny boxes. Eventually, what was dark and sinister is brought to light and justice. Sort of.
I realize I’m not explaining this very well, mainly because I have a hard time remembering what actually happens in these books. I just drift along, enjoying Zouroudi’s luscious, atmospheric prose, spacing out in a sweet Mediterranean dream – the lemony sunshine, the bay dotted with fishing boats, the smell of sea and rosemary. And hey…that fat man over there. What’s he doing?
Now that I’m deep into this mystery series, I know that if I follow this slow, strange guy around for awhile, things will get very interesting. And that seems to work for me.
THE SEVEN DEADLY SINS MYSTERY SERIES AT DBRL
“The Messenger of Athens” (Lust)*
“The Taint of Midas” (Avarice)
“The Doctor of Thessaly” (Envy)
“The Lady of Sorrows” (Wrath)
*In this first book, the fat man doesn’t appear very often. Fortunately, the author corrects this mistake in the rest of the series.
Note: The next three books in the series – “The Whispers of Nemesis” (Pride), “The Bulls of Mithros” (Sloth), and “The Feast of Artemis” (Gluttony) are not yet available in the U.S.
The post Who Is Hermes Diaktoros, and What the Heck Is He Doing? appeared first on DBRL Next.
Do you enjoy mysteries? Do you like plants? If you answer “yes” to both of these questions, then Ruth Kassinger’s “A Garden of Marvels: How We Discovered That Flowers Have Sex, Leaves Eat Air, and Other Secrets of Plants” is just the book for you. Think about it – few things around us are more mysterious than plants, and Kassinger does a great job writing about them in an engaging and entertaining way. She talks about plant evolution, the history of botany and the people who propelled it forward (as well as the techniques they used). She describes her visits to universities where contemporary scientists shared their knowledge with her. And she shows the inner workings of plants: the way they breathe, propagate and survive adverse conditions (this information is arranged in three separate chapters: roots, leaves, and flowers). Kassinger even explores the world of competitive giant pumpkin growing, and she takes her readers to an annual fall festival in Maine, where pumpkin lovers turn pumpkins into competitive racing boats.
At the end of the book, the author touches on the possible benefits of the genetic engineering of food plants and the use of plants as biofuel. One of the readers described “A Garden of Marvels” this way: “I highly recommend this book to everyone – even if it means I’m no longer the only one in the room who knows the difference between collenchyma and sclerenchyma, and I lose my Look-How-Plant-Smart-I-Am edge in cocktail party small talk.”
P.S. If you like “A Garden of Marvels,” don’t miss another book by Kassinger: “Paradise Under Glass: An Amateur Creates A Conservatory Garden.”
Graphic novels can be great to read if you don’t have a lot of time or if you don’t consider yourself much of a reader. With more images and fewer words than a regular novel, graphic novels make it easy to get drawn into the author’s world. Science fiction in particular is a great genre to read in graphic novel form because the images help bring the story to life, giving real depth to aliens, monsters and spaceships. I went through DBRL’s collection of science fiction graphic novels, which is pretty large, and picked out five popular and interesting series to tell you about.
Tune by Derek Kirk Kim
Lighthearted and funny, “Tune” is great read. This graphic novel is going to be more fiction and a little less science. It’s about an art college student named Andy who finds himself in desperate need of a job. The only offer Andy gets is to be an exhibit at an alien zoo. Not only is this graphic novel full of witty humor, but it is also drawn well, easy to read and hard to put down. Currently, there are only two books in the series, but with the way the second book ends, there is no doubt that more are going to come.
Do Androids Dream of Electric Sheep by Chris Roberson
This series is the prequel story to Philip K Dick’s science fiction novel of the same name. If you enjoyed that read, then this graphic novel is definitely worth checking out. It follows two different story lines that slowly grow together and begin to intertwine. With an android trying to hunt down other runaway androids, an empath trying to control his power and a scientist trying to save the human race from dying out, Do Androids Dream of Electric Sheep has it all.
Saga by Brian K. Vaughan
The series Saga starts by throwing us into a Romeo and Juliet-esque romance where a couple from two warring races are having a child together. What better way to start a graphic novel than that? With characters like a teenage ghost, a robot prince, a dad with magic and a mom with wings, it’s hard not to love Saga. Just beware, you won’t find the same lighthearted sense of humor here that is present in Tune. There are currently three volumes published in the Saga series.
Y, The Last Man by Brian K. Vaughan
When I found out that the series Saga and Y, The Last Man were written by the same author, I wasn’t too surprised. Y, The Last Man shares the same serious and slightly violent feeling that Saga does. In this graphic novel series, the plague doesn’t turn people into zombies; it kills off every living creature with a Y chromosome, minus, of course, one spunky escape artist, Yorick, and his male monkey, Ampersand. While Yorick, a secret agent, and a scientist try to find a way to save mankind, the trio gets caught up in a lot of scary situations. With 10 volumes in this series, it will keep you turning pages till the very end.
The Manhattan Projects by Jonathan Hickman
The Manhattan Projects was my least favorite series of the five. The story was based around an alternative history involving scientists and aliens. It is well written, and the art style is original and different. It is set right after the fall of Hitler and Nazi Germany. A group of scientists have created a special lab, The Manhattan Projects, where they investigate portals to alternative worlds, nuclear bombs and computers that can think on their own. It is an interesting concept, but because it is based in real history, I had a hard time not questioning the plausibility of what was occurring. If you’re interested in scientists and history, though, then this is the science fiction graphic novel for you.
Need a thriller or a romping romance to take your mind off of the school year’s approach? How about losing yourself in an imagined world via Sci-fi or historical fiction? This month’s LibraryReads list has you covered. Here are the top 10 books being published in August that have librarians buzzing.
by Chelsea Cain
“Kick Lannigan survived being kidnapped as a child. Now, at 21, determined never to be a victim again, she has reinvented herself. Martial arts and weapons handling are just a few of the skills she has learned over the years. Kick catches the attention of John Bishop, a mystery man with access to unlimited funds, and together they go after a cabal of child pornographers. A read-in-one-sitting, edge-of-your-seat thriller.”
- Elizabeth Kanouse, Denville Public Library, Denville, NJ
by Amy Bloom
“Is a family the people you are born to or the people who you find along the way? That’s what Bloom explores in this novel set in pre- and post-WWII Ohio, Los Angeles, New York and Germany. The story follows resourceful Eva, who was abandoned by her mother at an early age, and her sister Iris, an aspiring actress who tries to find love at a time when her kind of love must be secretive. Every character is beautifully drawn, warm and believable.”
- Kathryn Hassert, Henrietta Hankin Branch Library, Chester Springs, PA
“Heroes Are My Weakness“
by Susan Elizabeth Phillips
“Any Susan Elizabeth Phillips novel is going to make it onto my must-read list, but this one is particularly wonderful, and here’s why: she creates, then cheerfully destroys, the romance cliche of the brooding hero with a dark secret who lives in a crumbling mansion and captivates a plucky heroine. The hero is a horror novelist, and the heroine a failed actress-turned-puppeteer. This warm, witty, comedy-drama is a perfect summer read.”
- Donna Matturri, Pickerington Public Library, Pickerington, OH
And here is the rest of the list with links to the catalog for your hold-placing pleasure!
- “Lock In” by John Scalzi
- “The Miniaturist” by Jessie Burton
- “Big Little Lies” by Liane Moriarty
- “The Truth about Leo” by Katie MacAlister
- “An Unwilling Accomplice” by Charles Todd
- “The Magician’s Land” by Lev Grossman
- “The Story Hour” by Thrity Umrigar
The post Top Ten Books Librarians Love: The August 2014 List appeared first on DBRL Next.
Consecutively devouring ten books by the same author is not without its hazards. That such an undertaking insisted on itself proves it worthy, and surely being squarely in the grip of a master yarn-spinner is nothing to raise a fuss over. But might the immersion in such a distinct style cause a gentleman to subconsciously drift toward a foolish imitation unworthy of the inspiration? Might the constant brutality perpetrated by hill-folk not warp one’s perceptions until they find themselves cowering from anyone with a downhome drawl or countrified attire? Perhaps one would find themselves either desperately craving or spectacularly repulsed by squirrel meat.
Anyhow, at the risk of extending an unkindness to three, I’d venture that seven of Daniel Woodrell’s books are masterpieces. The three I’d omit from this designation make up “The Bayou Trilogy,” his first, third and fourth books. Focusing on the ex-boxer and current detective Rene Shade, these books are fun, fast reads and about as good of a character study as you’ll find filed in the crime section of a place that obsessively segregates their genres. They just don’t pack the wallop of his other works.
I’d judge his second book to pack a mighty punch. “Woe to Live On” is narrated by a Civil War rebel. Despite his allegiance and tendency to murder boys because “pups become hounds,” Woodrell, as great writers do, earns the reader’s empathy.
After completing “The Bayou Trilogy,” Woodrell began writing about the seedier, grislier aspects of his home, the Ozarks. “Give Us A Kiss: A Country Noir” is the blood and booze-soaked ride its subtitle implies. “Tomato Red” chronicles the hazards of vandalizing a golf course and a drifting, meth-dabbling lifestyle. “The Death of Sweet Mister” tells of a particularly troubled spell in a 12-year-old boy’s life, offers maybe my second favorite of Woodrell’s voices, and ends with a devastating sentence I’d like to talk about but for my aversion to goose-pimples. His most well-known book, “Winter’s Bone,” is such in large part because of the award-winning film adaptation. But I’d urge you to read it regardless of your familiarity with the movie. I reckon the dread conjured on its pages cannot be replicated by city-folk and their fancy lights and transparent plastics. “The Outlaw Album” is a collection of short, brutal stories.
His most recent book, the one with my favorite of his voices and the one that lead me down Woodrell’s backwater rabbit-hole, is “The Maid’s Version.” A fictionalized recounting of a real dance hall explosion in a small Missouri town, this novel attached me to characters in a matter of sentences before whisking them away and into pieces. If you’re the sort to deface books, there are sentences worthy of a highlighter. The perils of that act would be facing a dried-up highlighter and a thoroughly emphasized text.
Woodrell’s characters often behave downright ungentlemanly, what with the murder, spousal abuse, robberies and squirrel eating, but this grisliness is rendered in prose poetry so sharp you’ll have a gamy taste in your mouth, a hankering for mid-morning rum and a healthy suspicion of anyone from down Ozarks way. (I’ve read they’re apt to steal your prescriptions.)
If you missed Laura McHugh’s author talk in June, you’ll have a chance to catch her at the Columbia Public Library on September 18, when she’ll be leading a book discussion of this year’s One Read selection, “The Boys in the Boat.” Her own book, “The Weight of Blood” is hyper-local, much of it having been written in the Quiet Reading Room at the Columbia Public Library. The novel centers around two cases of missing persons, a generation apart.
Lucy Dane’s mother disappeared when Lucy was a small child. Rumors about Lila Dane, a mysterious outsider who married a local, have swirled around the tiny Ozarks town of Henbane ever since. Years later, when Lucy is in high school, her friend Cheri vanishes, as well. Unlike Lila, Cheri turns up eventually – dead. In a small town where everyone seems to know everyone else’s business, nobody has answers for Lucy about what happened to either young woman. But she is determined to find out.
McHugh looks at parts of American life that many of us would be happy to ignore. The story is told from multiple viewpoints, both present and past. The tension builds as the two timelines draw together to reveal the scope of what has been, and still is, happening.
“Everyone Dies in the End” by Brian Katcher is equal parts dark and funny. Imagine if H.P. Lovecraft wrote a romantic comedy. This young adult novel relates what a student journalist finds when he digs too deep. And by deep, I mean think about undead creatures that dwell underground.
Sherman Andrews has goals, dreams, ambitions. And he packs them all along with him to the Missouri Scholars’ Academy the summer before his senior year of high school. There he becomes involved with an ace library assistant (the love interest) who helps him investigate a series of unsolved deaths and disappearances from the 1930s. There are obstacles, of course – threats from people who don’t want the truth uncovered, a source who might or might not be delusional, the occasional supernatural manifestation…
Both books contain a scare factor as the characters encounter evil in different forms, but both also have characters who stand up to the evil and shine a light into the darkness.
The post What’s New and Local at Your Library: Into the Dark Places appeared first on DBRL Next.
I always knew there were fiction and nonfiction books, but I did not know there were so many genres (and subgenres) beyond that until I started working at a library. Science fiction, slipstream, steampunk, graphic novels, anime, gentle fiction, poetry, memoirs – I could go on and on. And this categorization isn’t limited to books. There are music and film genres as well. So in a much less funny, but perhaps just as informative, homage to Stephen Colbert’s series “Better Know a District,” I will explore these classifications in a monthly blog series we’re calling “Better Know a Genre.”
The first genre I will tackle is a rather broad one: narrative, or creative, nonfiction. If a nonfiction book is described as “reading like fiction,” then it probably belongs to this genre. Narrative nonfiction gives the reader factual information in a storytelling format instead of presenting the information straightforwardly, such as in a cookbook or instruction manual. Authors employ the craft of fiction – such as dialogue, vivid descriptions and characterization – to make nonfiction tales into page turners.
In a public library, much of the collection consists of narrative or creative nonfiction, so chances are you have already read a book from this genre. If you haven’t, then celebrate our Summer of Science by checking out one of these fantastic narrative nonfiction books from our collection.
“The Immortal Life of Henrietta Lacks” by Rebecca Skloot
One of the most-acclaimed science books of recent years, this title was also our 2011 One Read selection. Skloot investigates how the cells taken from a woman in the 1950s have contributed to many medical advancements in the decades since. Skloot inserts herself into the story, so the book is as much about the process of writing as it is about medical ethics.
“The Poisoner’s Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York” by Deborah Blum
I don’t think it’s possible to top NPR’s Glen Weldon’s description of this book:
“Who knew that New York City experienced a surge in murders by poison during the 1910s and ’20s? Blum takes that odd historical footnote and produces a book of exhaustively researched science writing that reads like science fiction, complete with suspense, mystery and foolhardy guys in lab coats tipping test tubes of mysterious chemicals into their own mouths.”
“Packing for Mars: The Curious Science of Life in the Void” by Mary Roach
Roach is excellent at reducing complex ideas into manageable chunks of exposition, which alone is a valuable asset. But her books stand out because she combines that talent with a rich sense of humor and a willingness to use herself as a guinea pig. Roach takes on the subject of space travel in this outing – an examination of the lengths humans must take to attempt survival out of the earth’s atmosphere.
The post Better Know a Genre: Narrative Nonfiction (Summer of Science Edition) appeared first on DBRL Next.