Next Book Buzz
While making for the nearest suitable reading cubby, I hold my chosen novel aloft as a means of recommending it without the need for electricity or wires (though, to be fair, I often employ a complicated series of large wires and pulleys to ease the burden of its weight upon my musculature and indeed have been researching the possibility of adding an electric motor to my contraption). This month’s recommendation did cause me some consternation, though. Fine book though it is, “A Cure for Suicide” is a title apt to raise eyebrows among those that don’t wish to see you dead. I bypassed this conundrum by merely regularly exclaiming, “Fear not for my well-being – this is a novel. I do not intend to curtail my glorious traversal through this magnificent existence!” My calls, in addition to allaying concerns and dispelling confusion as to why such a distinguished gentleman might consider cutting short his glorious traversals, earned me wide, respectful berths, providing me expedited arrival to the nearest cozy chair or nest of pillows and wigs (wigs are soft) that I’ve secreted around town so that I might recline comfortably with my reading material.
Onlookers’ dismay aside, reading Jesse Ball’s newest novel was a pleasure. Not only was it a fancy book, indicated clearly by the significant amount of blank space between most of the paragraphs, but it was also good. And that blank space wasn’t just indicative of fanciness and the author’s and publisher’s contempt for trees but was actually a useful style choice that emphasized the elegiac tone of the work and its fable-like qualities. And, as time passes, this novel continues to provide fodder for my mind monkeys to vigorously pull their various levers and add coal to their various furnaces. (Editor’s note: this book made the gentleman think.)
The premise is: a man, known initially only as the “claimant,” awakens with no memories. His “examiner” is at his side. Her task: to teach him the names of objects, how to interact with people and generally how to exist. We watch the claimant improve and regress and some twisty psychological drama enters the stage: there are injections, creepily idyllic villages and villagers, the claimant goes to sleep in one house and village and wakes up in a different house and village, etc. There is a great deal of discussion about the “whys” of things, sure to please the philosophy buffs that, as I understand it, make up much of our modern civilization. Then we come to perhaps the novel’s best section, the one that explains why our claimant is here, why he was driven to spoiler alert seek a cure for suicide. This relatively lengthy chapter foregoes the lovely blank space that dominates the rest of the novel, the better with which to gently bludgeon you with heartbreak. Later we return to the previous format and tone and are left with a doozy of a closing section and a complex query that might have the reader lingering in their nest of pillows and wigs, contemplating several facets of existence while they conceal the title from onlookers (as the reader is too deep in thought to be capable of calling out an explanation for the title of the work they hold, and so must hide it to ensure no one is concerned for their well-being).
“Traitor’s Blade” by Sebastien De Castell
Why I Checked It Out: Three best friends, roaming the kingdom, looking for justice and purpose? With swords? I’m in.
What It’s About: In the European-esque, medieval setting, the Greatcoats greatly resemble Jedi Knights. These men and women are skilled warriors, but they are more concerned with upholding the King’s Law and keeping peace among all the ambitious dukes and duchesses of the land. Or at least they were, until the death of the King and the end of his enlightened law.
Now Falcio, Kest, Brasti and the rest of the Greatcoats are disgraced and scattered, taking what work they can and struggling to finish the enigmatic final tasks left to them by the King.
Why I Recommend It: I read this book in a day. And then I could not start another book because I was convinced nothing would be as good.
The story begins by launching the reader directly into the action and never really lets up. The reader learns of the rise of the King, the formation of the Greatcoats and their subsequent fall, all through flashbacks that span the entirely of the book. These flashbacks are well-timed and an excellent device. By the time you learn how the King died, you care for him as much as Falcio did, and his loss is all the more heartbreaking.
While there is plenty of death and loss in “Traitor’s Blade,” and Falcio and the others have definitely been shaped by tragedy, the book is not dark. De Castell has crafted a fun read, filled with smart humor and likeable characters. There are intricate political intrigues and swashbuckling adventures. The action scenes are incredibly descriptive, owing to the author’s training as a fight choreographer.
If you’re looking for a fast-paced adventure with well-rounded characters and hint of magic, I cannot recommend this book enough.
Warning: This is the first book in a quartet, but luckily for us all, the second book is already out.
What To Read Next:
“Theft of Swords” by Michael J. Sullivan
“The Three Musketeers” by Alexander Dumas
“Storm Front” by Jim Butcher