Nonfiction Roundup: February 2026

Below I’m highlighting some nonfiction books coming out in February. All of the mentioned titles are available to put on hold in our catalog and will also be made available via the library’s Overdrive website on the day of publication in eBook and downloadable audiobook format (as available). For a more extensive list of new nonfiction books coming out this month, check our online catalog.

Top Picks

Art Cure: The Science of How the Arts Save Lives” by Daisy Fancourt (Feb 3)
From cradle to grave, engaging in the arts has remarkable effects on our health and well-being. Music supports the architectural development of children’s brains. Artistic hobbies help our brains to stay resilient against dementia. Dance and magic tricks build new neural pathways for people with brain injuries. Arts and music act just like drugs to decrease depression, stress and pain, reducing our dependence on medication. Going to live music events, museums, exhibitions, and the theater decreases our risk of future loneliness and frailty. Engaging in the arts improves the functioning of every major organ system in the body, even helping us to live longer. This isn’t sensationalism, it’s science: the results of decades of studies gathering data from neuroimaging, molecular biomarkers, wearable sensors, cognitive assessments, and electronic health records. From professor Daisy Fancourt, an award-winning scientist and science communicator and director of the World Health Organization’s Collaborating Centre for Arts and Health, this book will fundamentally change the way you value and engage with the arts in your daily life and give you the tools to optimize how, when, and what arts you engage in to achieve your health goals. The arts are not a luxury in our lives. They are essential.

A World Appears: A Journey into Consciousness” by Michael Pollan (Feb 24)
When it comes to the phenomenon that is consciousness, there is one point on which scientists, philosophers and artists all agree: it feels like something to be us. Yet the fact that we have subjective experience of the world remains one of nature’s greatest mysteries. How is it that our mental operations are accompanied by feelings, thoughts, and a sense of self? What would a scientific investigation of our inner life look like, when we have as little distance and perspective on it as fish do of the sea? In “A World Appears,” Michael Pollan traces the unmapped continent that is consciousness, bringing radically different perspectives — scientific, philosophical, literary, spiritual and psychedelic — to see what each can teach us about this central fact of life. When neuroscientists began studying consciousness in the early 1990s, they sought to explain how and why three pounds of spongy gray matter could generate a subjective point of view — assuming that the brain is the source of our perceived reality. Pollan takes us to the cutting edge of the field, where scientists are entertaining more radical (and less materialist) theories of consciousness. He introduces us to “plant neurobiologists” searching for the first flicker of consciousness in plants, scientists striving to engineer feelings into AI, and psychologists and novelists seeking to capture the felt experience of our slippery stream of consciousness.

Starry and Restless: Three Women Who Changed Work, Writing, and the World” by Julia Cooke (Feb 24)
She hid on a Red Cross boat to reach Omaha Beach on D-Day. She walked the abandoned streets of Hong Kong to take food to her daughter’s father, a prisoner of war. She fought off the advances of overzealous Yugoslavian diplomats, found overlooked details of world history in a dentist’s kitchen in Sarajevo. She traveled alone to Mexico. She traveled alone to Congo. She traveled alone to the American South. She married Hemingway. She married a Chinese poet-playboy-publisher, then married a British war hero. She fell in love with H. G. Wells. She gave birth and raised a child on her own. She landed on the front page of the newspaper. She wrote for the great magazines of her time — Vogue, The New Yorker, Harper’s Bazaar. She wrote a play. She wrote a memoir. She wrote a genre-breaking travel narrative. She wrote bestsellers. She wrote and wrote and wrote. She changed the very way we think about writing and the way journalists craft stories — which sources are viable, which details are important — and the way women move and work in the world. She was Martha Gellhorn. She was Emily “Mickey” Hahn. She was Rebecca West. Each woman was starry-eyed for success, for adventure, and helped ensure that other starry and restless women could make unforgettable lives for themselves. They fought for their lives and their work. They were praised and criticized for it all.  In language as lively and nimble, in passages as intimate and adventurous, and with conviction as fierce and indefatigable as her subjects’ own, Julia Cooke’s “Starry and Restless” plays out the stories of three women across three decades and five continents. Martha, Mickey, Rebecca — journalists, authors, mothers, lovers, friends. These women didn’t just bear witness to the great changes of the twentieth century; their curiosity, grit, ambition and stories changed the world.

More Notable Releases for February

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